The young Marchese Ludovico di Castelmare had in the early part of the
evening lounged into the Circolo, as was the habit of most of those of
his class, seniors as well as juniors; but he had, as had been correctly
reported to his uncle, very shortly left it without saying a word to any
one as to how he intended to dispose of his evening. The Marchese
Ludovico flattered himself, as people are apt to flatter themselves in
similar cases, that his absence would be little noted, and that his
reticence would suffice to leave all Ravenna in ignorance as to the
errand on which he was bound when he left the Circolo. So far was this
from being the case, however, that there was not one, at all events
among the younger men, whom he left behind him, who did not know
perfectly well where he was gone; and that his uncle, when by the
unforeseen accident that has been related he was made aware of his
absence from the club, was at no loss to guess what he had done with
himself.
But in order that the reader may have a like advantage, it will be
necessary to mention very briefly, some circumstances which occurred
previously to the period referred to in the former chapters.
Some months before the time of Signor Ercole Stadione's journey to
Milan, a wandering Englishman had arrived at Ravenna, and having spent
three or four days in examining with much interest the wonderful wealth
of Mosaics of the fourth, fifth, and sixth centuries, still preserved in
the churches of the ancient capital of the Exarchs, had continued his
route to Venice.
There, in the gallery of the Academia, his attention had been attracted
by a female student, who was engaged in copying a canvas of Tintoretto.
As it so happened that the traveller was a competent judge of such
matters, he was struck by the goodness of the work, especially when
considered in connection with the appearance of the artist. She was
evidently very young,--a slim, slender girl, whose girlish figure looked
all the more willow-like from the simple plainness, and what seemed to
the Englishman the insufficiency, of her clothing. For the weather,
though not so severe as when it had half frozen Signor Ercole Stadione,
was already very cold,--cold enough to have depopulated the gallery of
its usual crowd of copying artists. At some distance from the young
girl's easel, sitting in a corner lighted up by a stray ray of sunshine,
there was an old woman busily knitting,--probably the girl's mother, or
protectress. And besides those two, and the Englishman, and a lounging
attendant wrapped in his cloak, there was no other soul in the gallery.
Public-domain text, read in full here on John Shaqi.
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