But the chief and most striking charm of the beautiful face was
unquestionably imparted to it from the moral and intellectual nature
within. There was a calm and quiet dignity in the expression of the pure
and noble brow, which may often have been seen in women of similar
character, and of some twenty-five years of age. But it is rare to find
such at seventeen. Doubtless the having been left alone in the world at
so tender an age, had done much towards producing the expression in
question. It was added to, moreover, by the singular grace of the girl's
figure and mode of standing there before the stranger, as she had risen
from her easel on his presenting her with the Director's note.
She was rather above the middle height, and very slender;--more so, the
Englishman thought again, than she ought to have been. She was very
poorly and even insufficiently clad. But the little bit of quite plain
linen around her slim throat was spotlessly clean; and her poor and
totally unornamented chocolate-coloured stuff dress was in decently tidy
condition, and was worn with that nameless and inexplicable grace which
causes it to be said of similarly gifted women that they may wear
anything.
And the stranger was delighted, too, with her manner in accepting his
proposition. Though she made no attempt to conceal, and, indeed, eagerly
expressed her sense of the value to her of the proposal that was made to
her, there was a modest, and at the same time self-respecting, dignity
about her acceptance of it, which was to his mind an earnest of the
highly conscientious manner in which the task would be carried out.
It was therefore settled at once that Paolina, together with her friend
and protectress, the Signora Orsola Steno, should proceed to Ravenna as
soon as she could conveniently do so. A list of the works of which she
was required to make copies was given to her. It included, besides the
whole of the very interesting Mosaics in San Vitale, and several of the
curious Mosaic portraits of the early bishops of the city in the church
of St. Apollinare in Classe, two remarkable full-length figures from the
ancient baptistery, the representation of the Saviour as the "Good
Shepherd" in the celebrated mausoleum of the Empress Galla Placidia, and
the portraits of the Apostles in the private chapel of the Cardinal. Of
all these works, exact copies were to be executed on a scale of one
sixth the size of the originals; and it was calculated that the work
would require at least fifteen months to do it in. A sufficient sum of
money was paid in advance to enable Signora Orsola Steno and her ward to
move to Ravenna, and to begin their residence there; and satisfactory
arrangements were made for subsequent quarterly payments of two-thirds
of the price to be paid for the completed copies.
Public-domain text, read in full here on John Shaqi.
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