that twilight of time, dimmer offspring, Vernon, Anne, Arthur, marked to
us always, in the distincter years, as of all our young relatives the
most intensely educated and most pointedly proper--an occasion followed
by her permanent and invidious withdrawal from her own country. I would
keep her in my eye through the Genevese age and on to the crisis of the
Civil War, in which Vernon, unforgiven by her stiff conservatism for his
Northern loyalty, laid down before Petersburg a young life of
understanding and pain, uncommemorated as to the gallantry of its
end--he had insistently returned to the front, after a recovery from
first wounds, as under his mother's malediction--on the stone beneath
which he lies in the old burial ground at Newport, the cradle of his
father's family. I should further pursue my subject through other
periods and places, other constantly "quiet" but vivid exhibitions, to
the very end of the story--which for myself was the impression, first,
of a little lonely, soft-voiced, gentle, relentless lady, in a dull
Surrey garden of a summer afternoon, more than half blind and all
dependent on the _dame de compagnie_ who read aloud to her that Saturday
Review which had ever been the prop and mirror of her opinions and to
which she remained faithful, her children estranged and outworn, dead
and ignored; and the vision, second and for a climax, of an old-world
rez-de-chaussee at Versailles, goal of my final pilgrimage, almost in
presence of the end (end of her very personal career, I mean, but not of
her perfectly firm spirit or of her charmingly smooth address).
Public-domain text, read in full here on John Shaqi.
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