Those, however, were later things--extensions of view hampered for the
present, as I have noted, by our mere London street-scenery, which had
much to build out for us. I see again that we but endlessly walked and
endlessly daubed, and that our walks, with an obsession of their own,
constantly abetted our daubing. We knew no other boys at all, and we
even saw no others, I seem to remember, save the essentially rude ones,
rude with a kind of mediaeval rudeness for which our clear New York
experience had given us no precedent, and of which the great and
constant sign was the artless, invidious wonder produced in them, on our
public appearances, by the alien stamp in us that, for our comfort, we
vainly sought to dissimulate. We conformed in each particular, so far as
we could, to the prevailing fashion and standard, of a narrow range in
those days, but in our very plumage--putting our _ramage_ aside--our
wood-note wild must have seemed to sound, so sharply we challenged, when
abroad, the attention of our native contemporaries, and even sometimes
of their elders, pulled up at sight of us in the from-head-to-foot
stare, a curiosity void of sympathy and that attached itself for some
reason especially to our feet, which were not abnormally large. The
London people had for themselves, at the same time, an exuberance of
type; we found it in particular a world of costume, often of very odd
costume--the most intimate notes of which were the postmen in their
frock-coats of military red and their black beaver hats; the milkwomen,
in hats that often emulated these, in little shawls and strange short,
full frocks, revealing enormous boots, with their pails swung from their
shoulders on wooden yokes; the inveterate footmen hooked behind the
coaches of the rich, frequently in pairs and carrying staves, together
with the mounted and belted grooms without the attendance of whom
riders, of whichever sex--and riders then were much more
numerous--almost never went forth. The range of character, on the other
hand, reached rather dreadfully down; there were embodied and
exemplified "horrors" in the streets beside which any present exhibition
is pale, and I well remember the almost terrified sense of their
salience produced in me a couple of years later, on the occasion of a
flying return from the Continent with my father, by a long, an
interminable drive westward from the London Bridge railway-station. It
was a soft June evening, with a lingering light and swarming crowds, as
they then seemed to me, of figures reminding me of George Cruikshank's
Artful Dodger and his Bill Sikes and his Nancy, only with the bigger
brutality of life, which pressed upon the cab, the early-Victorian
fourwheeler, as we jogged over the Bridge, and cropped up in more and
more gas-lit patches for all our course, culminating, somewhere far to
the west, in the vivid picture, framed by the cab-window, of a woman
reeling backward as a man felled her to the ground with a blow in the
face.
Public-domain text, read in full here on John Shaqi.
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