fatuity, and insistently, quite yearningly applied it. What I wanted, in my presumption, was that the object, the place, the person, the unreduced impression, often doubtless so difficult or so impossible to reduce, should give out to me something of a situation; living as I did in confused and confusing situations and thus hooking them on, however awkwardly, to almost any at all living surface I chanced to meet. My memory of Boulogne is that we had almost no society of any sort at home--there appearing to be about us but one sort, and that of far too great, or too fearful, an immediate bravery. Yet there were occasional figures that I recover from our scant circle and that I associate, whatever links I may miss, with the small still houses on the rampart; figures of the quaintest, quite perhaps the frowsiest, little English ladies in such mushroom hats, such extremely circular and bestriped scarlet petticoats, such perpetual tight gauntlets, such explicit claims to long descent, which showed them for everything that everyone else at Boulogne was not. These mid-Victorian samples of a perfect consistency "represented," by my measure, as hard as ever they could--and represented, of all things, literature and history and society. The literature was that of the three-volume novel, then, and for much after, enjoying its loosest and serenest spread; for they separately and anxiously and awfully "wrote"--and that must almost by itself have amounted in them to all the history I evoked.