taken into account; and I win it back from every side as, in spite of
these aspects of garish publicity, a dark and dreadful, and withal quite
absurd, scene. I see places of that general time, even places of
confinement, in a dusty golden light that special memories of small
misery scarce in the least bedim, and this holds true of our next and
quite neighbouring refuge; the establishment of M. Vergnes alone darkles
and shrinks to me--a sordidly _black_ interior is my main image for it;
attenuated only by its having very soon afterwards, as a suffered
ordeal, altogether lapsed and intermitted. Faintly, in the gloom, I
distinguish M. Vergnes himself--quite "old," very old indeed as I
supposed him, and highly irritated and markedly bristling; though of
nothing in particular that happened to me at his or at anyone's else
hands have I the scantest remembrance. What really most happened no
doubt, was that my brother and I should both come away with a mind
prepared for a perfect assimilation of Alphonse Daudet's chronicle of
"Jack," years and years later on; to make the acquaintance in that work
of the "petits pays chauds" among whom Jack learnt the first lessons of
life was to see the Institution Vergnes at once revive, swarming as it
did with small homesick Cubans and Mexicans; the complete failure of
blondness that marks the memory is doubtless the cumulative effect of so
many of the New York "petits pays chauds," preponderantly brown and
black and conducing to a greasy gloom. Into this gloom I fear I should
see all things recede together but for a certain salient note, the fact
that the whole "staff" appears to have been constantly in a rage; from
which naturally resulted the accent of shrillness (the only accent we
could pick up, though we were supposed to be learning, for the extreme
importance of it, quantities of French) and the sound of high
vociferation. I remember infuriated ushers, of foreign speech and
flushed complexion--the tearing across of hapless "exercises" and
_dictees_ and the hurtle through the air of dodged volumes; only never,
despite this, the extremity of smiting. There can have been at the
Institution no blows instructionally dealt--nor even from our hours of
ease do any such echoes come back to me. Little Cubans and Mexicans, I
make out, were not to be vulgarly whacked--in deference, presumably, to
some latent relic or imputed survival of Castilian pride; which would
impose withal considerations of quite practical prudence. Food for
reflection and comparison might well have been so suggested; interesting
at least the element of contrast between such opposed conceptions of
tone, temper and manner as the passion without whacks, or with whacks
only of inanimate objects, ruling the scene I have described, and the
whacks without passion, the grim, impersonal, strictly penal
applications of the rod, which then generally represented what was still
involved in our English tradition. It was the two theories of
Public-domain text, read in full here on John Shaqi.
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