EURIPIDES was born in the island of Salamis, in B.C. 480 his parents having been among those who fled thither at the time of the invasion of Attics by Xerxes. He studied rhetoric under Prodicus, and physics under Anaxagoras and he also lived on intimate terms with Socrates. In 441 he gained his first prize, and he continued to exhibit plays until 408, the date of his Orestes. Soon after this he repaired to the court of Macedonia, at the invitation of king Archelaus, where he died two years afterwards at the age of 74 (B.C. 406). Common report relates that he was torn to pieces by the king's dogs, which, according to some accounts, were set upon him by two rival poets out of envy. In treating his characters and subjects Euripides often arbitrarily departed from the received legends, and diminished the dignity of tragedy by depriving it of its ideal character, and by bringing it down to the level of every-day life. His dialogue was garrulous and colloquial, wanting in heroic dignity, and frequently frigid through misplaced philosophical disquisitions. Yet in spite of all these faults Euripides has many beauties, and is particularly remarkable for pathos, so that Aristotle calls him "the most tragic of poets." Comedy received its full development at Athens from Cratinus, who lived in the age of Pericles. Cratinus, and his younger contemporaries Eupolis and Aristophanes, were the three great poets of what is called the Old Attic Comedy. The comedies of Cratinus and Eupolis are lost; but of Aristophanes, who was the greatest of the three, we have eleven dramas extant. ARISTOPHANES was born about 444 B.C. Of his private life we know positively nothing. He exhibited his first comedy in 427, and from that time till near his death, which probably happened about 380, he was a frequent contributor to the Attic stage. The OLD ATTIC COMEDY was a powerful vehicle for the expression of opinion; and most of the comedies of Aristophanes turned either upon political occurrences, or upon some subject which excited the interest of the Athenian public. Their chief object was to excite laughter by the boldest and most ludicrous caricature; and provided that end was attained the poet seems to have cared but little about the justice of the picture. Towards the end of the career of Aristophanes the unrestricted licence and libellous personality of comedy began gradually to disappear. The chorus was first curtailed and then entirely suppressed, and thus made way for what is called the Middle Comedy, which had no chorus at all. The latter still continued to be in some degree political; but persons were no longer introduced upon the stage under their real names, and the office of the chorus was very much curtailed. It was, in fact, the connecting link between the Old Comedy and the New, or the Comedy of Manners. The NEW COMEDY arose after Athens had become subject to the Macedonians. Politics were now