Q. ENNIUS, however, may be regarded as the real founder of Roman literature. Like Livius, he was a native of Magna Graecia. He was born at Rudiae, in Calabria, B.C. 239. Cato found him in Sardinia in B.C. 204, and brought him in his train to Rome. He dwelt in a humble house on the Aventine, and maintained himself by acting as preceptor to the youths of the Roman nobles. He lived on terms of the closest intimacy with the elder Scipio Africanus. He died B.C. 169, at the age of 70. He was buried in the sepulchre of the Scipios, and his bust was allowed a place among the effigies of that noble house. His most important work was an epic poem, entitled the "Annals of Rome," in 18 books, written in dactylic hexameters, which, through his example, supplanted the old Saturnian metre. This poem commenced with the loves of Mars and Rhea, and came down to the age of Ennius. Virgil borrowed largely from it; and, down to his time, it was regarded as the great epic poem of the Latin language. He also wrote numerous tragedies, a few comedies, and several other works, such as _Satirae_, composed in a great variety of metres, from which circumstance they probably received their name. The comic drama of Rome, though it continued to be more or less a translation or an imitation of the Greek, was cultivated with distinguished success by two writers of genius, several of whose plays are still extant. T. MACCIUS PLAUTUS was a native of Sarsina, a small village in Umbria, and was born about B.C. 254. He probably came to Rome at an early age, and was first employed in the service of the actors. With the money he had saved in this inferior station he left Rome, and set up in business; but his speculations failed: he returned to Rome, and his necessities obliged him to enter the service of a baker, who employed him in turning a hand-mill. While in this degrading occupation he wrote three plays, the sale of which to the managers of the public games enabled him to quit his drudgery, and begin his literary career. He was then about 30 years of age (B.C. 224), and continued to write for the stage for about 40 years. He died in B.C. 184, when he was 70 years of age. The comedies of Plautus enjoyed unrivaled popularity among the Romans, and continued to be represented down to the time of Diocletian. Though they were founded upon Greek models, the characters in them act, speak, and joke like genuine Romans, and the poet thereby secured the sympathy of his audience more completely than Terence. It was not only with the common people that Plautus was a favorite; educated Romans read and admired his works down to the latest times. Cicero places his wit on a level with that of the old Attic comedy; and St. Jerome used to console himself with the perusal of the poet, after spending many nights in tears on account of his past sins. The favorable impression which the ancients entertained of the merits of Plautus has been confirmed by the