Though the Roman Drama, properly so called, was derived from the Greeks, there were some kinds of dramatic exhibitions which were of Italian origin. The first of these were the _Atellanae Fabulae_, or Atellane Plays, which took their name from Atella, a town in Campania. They were composed in the Oscan dialect, and were at first rude extemporaneous farces, but were afterward divided into acts like a regular drama. They seem to have been the origin of the Policinello of modern Italy. The Oscan dialect was preserved even when they were introduced at Rome. The _Mimes_ were another species of comedy, of which only the name seems to have been derived from the Greek. They were a species of low comedy of an indecent description, in which the dialogue was subordinate to mimicry and gesture. The Dictator Sulla was very fond of these performances. The two most distinguished writers of Mimes were DEC. LABERIUS, a knight, and P. SYRUS, a freedman, and originally a Syrian slave, both of whom were contemporaries of Julius Caesar. At Caesar's triumphal games in October, B.C. 45, P. Syrus challenged all his craft to a trial of wit in extemporaneous farce, and Caesar offered Laberius 500,000 sesterces to appear on the stage. Laberius was 60 years old, and the profession of a mimus was infamous, but the wish of the Dictator was equivalent to a command, and he reluctantly complied. He had, however, revenge in his power, and took it. His prologue awakened compassion, and perhaps indignation; and during the performance he adroitly availed himself of his various characters to point his wit at Caesar. In the person of a beaten Syrian slave he cried out, "Marry! Quirites, but we lose our freedom," and all eyes were turned upon the Dictator; and in another mime he uttered the pregnant maxim, "Needs must he fear who makes all else adread." Caesar, impartially or vindictively, awarded the prize to Syrus. The _Fescennine Songs_ were the origin of the _Satire_, the only important species of literature not derived from the Greeks, and altogether peculiar to Italy. These Fescennine Songs were rude dialogues, in which the country people assailed and ridiculed one another in extempore verses, and which were introduced as an amusement in various festivals. They were formed into the _Satire_[75] by C. LUCILIUS, who wrote in hexameter verse, and attacked the follies and vices both of distinguished persons and of mankind in general. He was born B.C. 148, at Suessa Aurunca, and died at Naples in B.C. 103. He lived upon terms of intimacy with the younger Scipio and Laelius, and was the maternal ancestor of Pompey the Great. Lucilius continued to be admired in the Augustan age; and Horace, while he censures the harsh versification and the slovenly haste with which Lucilius threw off his compositions, acknowledges with admiration the fierceness and boldness of his attacks upon the vices and follies of his contemporaries.