As you were good enough to give me more real amusement and enjoyment
at Arthur Blunt's than I have known for many a long day, I could not
help suggesting your name to Miss Santley, telling her that, if you
can find time for the purpose, she could not be in safer or more
accomplished hands than yours. . . .
Yours very sincerely,
FREDERIC CLAY.
I afterwards became very intimate with Frederic Clay; and a great
portion of one of his subsequent works (the _Black Crook_, I think)
composed while he was staying with my wife and myself at a tiny
cottage which we rented during the autumn each year at Datchet. His
last work of all he chiefly did at Datchet. It was called, I think,
_The Golden Ring_, and the book was by G. R. Sims. He hired a
cottage a few doors from mine, and as I passed to and fro of a
morning I used to see him writing hard at his desk in front of the
open window, and invariably greeted him with "Good-morning, Freddy;
do you want any of your harmonies corrected?"--"Shall I score the
drum parts for you?"--or some such nonsense. It will be remembered
that he was seized with a serious illness after the production of
the piece at the Alhambra. I grieve to say I seldom see him now, as
he lives away in the country very quietly. He wrote a charming
letter in pencil some months ago respecting a favourable notice he
had seen of the pianoforte-playing of my little girl Sylvia at a
"pupils'" concert. I have kept many of his letters, and value them.
I wanted to see him about something, and suggested we should meet at
the Beefsteak Club. This was his reply:
[image]
At the old Gallery of Illustration, in 1875, Corney Grain was
suddenly indisposed, and I sang for him; and I was very pleased at
the thought of giving a sketch at the very piano on which John Parry
had played. Subsequently I received the following letter from Mrs.
German Reed:
. . . Please accept my best thanks, and with them a handkerchief
which Mr. John Parry used in his song, "Mrs. Roseleaf's Evening
Party." You said you would be pleased to have it. The little piece
of cotton in the middle he always had tied to prevent confusion in
folding while singing.
With kind compliments to your wife,
Sincerely yours,
PRISCILLA REED.
Public-domain text, read in full here on John Shaqi.
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