A Son of Hagar: A Romance of Our TimeCaine, Hall, Sir
General
A Son of Hagar: A Romance of Our Time
Caine, Hall, Sir
Cumberland (England) -- Fiction; English fiction; London (England) -- Fiction
When they recognized each other there was a moment of silence. But it
was only a moment, and that moment was too precious to be lost. In a
flood of tears the girl told him what had happened.
Gubblum understood no more than that villainy had been at work. Mercy
saw nothing but that she had been deceived and had been herself the
instrument of deception. This was enough.
"The raggabrash! I'd like to rozzle their backs with an ash stick," said
Gubblum.
"Oh, where have they taken him--where, where?" cried Mercy, wringing her
hands.
"Don't put on wi' thee--I know," said Gubblum. "I questit them up the
stairs. Come along wi' me, lass, and don't slobber and yowl like a
barn."
Gubblum whipped up his candle, and hurried along the passage and up the
ladder like a monkey, Mercy following at his heels.
"Belike they've locked this door forby," he said.
But no, the key was in the lock. Gubblum turned it and pushed it open.
Then he peered into the garret, holding the candle above his head. When
the light penetrated the darkness, they saw a man's figure outstretched
on a mattress that lay on the bare floor of the empty room. They ran up
to it, and raised the head.
"It's his fadder's son, I'll uphod thee," said Gubblum. "And yon
riff-raff, his spitten picter, is no'but some wastrel merry-begot."
Mercy was down on her knees beside the insensible man, chafing his
hands. There was a tremulous movement of the eyelids.
"Sista, he's coming tul't. Slip away for watter, lass," said Gubblum.
Mercy was gone and back in an instant.
"Let a be, let a be--he'll come round in a crack. Rub his forehead--stir
thy hand, lass--pour the watter--there, that's enough--plenty o' butter
wad sto a dog. Sista, he's coming tul't fast."
Paul Ritson had opened his eyes.
"Slip away for mair watter, lass--there, that's summat like--rest ye, my
lad--a drink?--ey, a sup o' watter."
Paul looked around him. His filmy eyes were full of questions. But at
first his tongue would not speak. He looked up at the bare skylight and
around at the bleached walls, and then back into the face of the
peddler. He noticed Mercy, and smiled.
"Where are we, my girl?" he said, faintly.
"This is the Hawk and Heron," she answered.
"How do I come to be here?" he asked.
Mercy covered her face, and sobbed.
"I brought you," she said, at length.
Paul looked at her a moment with bewildered eyes. Then the tide of
memory flowed back upon his mind.
"I remember," he said, quietly; "I was feeling dizzy--hadn't slept two
nights--not even been in bed--walked the streets the long hours
through."
Everything had rushed over him in a moment, and he closed his eyes with
a deep groan. At his feet Mercy buried her face and sobbed aloud.
Paul drew himself feebly up on his elbow.
"Where is Parson Christian?" he asked, and gazed around, with a faint
smile.
The girl's anguish overflowed.
"That was a lie I told you," she sobbed.
The smile fled away.
"A lie! Why a lie?"
He was struggling with a dazed sense.
Public-domain text, read in full here on John Shaqi.
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