A Son of Hagar: A Romance of Our TimeCaine, Hall, Sir
General
A Son of Hagar: A Romance of Our Time
Caine, Hall, Sir
Cumberland (England) -- Fiction; English fiction; London (England) -- Fiction
He looked at her in silence. His infirm foot trailed a pace. He saw what
was in her heart, and he knew well what was in his own heart, too; he
thought of the blow that he was about to strike her.
She held out her hand, and took in hers his own unresisting fingers. Ay,
he knew that there and then he was about to break that forgiving heart
forever. He knew who had stepped into that carriage.
She leaned forward and kissed his cheek. The man in him could bear up no
longer. He broke down; he could not speak; he was choked with emotion.
She turned to the landlady, who stood near, twitching at the ribbons of
her bonnet and peering into the carriage.
"Good-bye, Mrs. Drayton, and God bless you for what you have done for my
husband!"
The landlady muttered something that was inaudible; she was confused;
she stammered, and then was silent.
Greta stepped into the carriage. The guard was standing at the door. The
bell had been rung. The train had been signaled. The whistle had
sounded. The clocks were striking midnight.
"Wait! Wait!"
It was a voice from the end of the platform. The guard turned with a
smile to see who called on a train to wait. An old gentleman in silk
stockings and gaiters, with long white hair flowing under the broad brim
of a low-crowned hat, came panting to the only door that was still open.
"Quick, sir, it's moving; in with you!"
"Mr. Christian!" cried Greta, and throwing her arms about him, she drew
him into the carriage. Then the train began to move away.
At that instant another train--the local train from Kentish Town and
Hendon--steamed up to the opposite side of the platform. Before it had
stopped two men leaped out. They were the two police-sergeants.
Instantly--simultaneously--a man burst through the barrier and ran on to
the platform from the street. He was bareheaded, and his face was
ghastly white. In one moment the police-sergeants had laid hands upon
him. The train to the north had not yet cleared the platform. He saw it
passing out. He took hold of the hands by which he was held and threw
them off, as if their grasp had been the grasp of a child. Then he
bounded away toward the retreating train. It was now moving rapidly. It
was gone; it was swallowed up in the dark mouth beyond, and the man
stood behind, bareheaded, dripping with perspiration, yet white as
ashes, his clothes awry, the collar of his frieze ulster torn away, and
a strip of red flannel lining exposed.
It was Paul Ritson.
The police-sergeants hurried up with the re-enforcement of two porters
to recover their man. But he was quiet enough now. He did not stir a
muscle when they handcuffed him. He looked around with vague, vacant
eyes, hardly seeming to realize where he was or what was being done with
him. His frenzy was gone.
Public-domain text, read in full here on John Shaqi.
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