A son of the city : $b A story of boy lifeSeely, Herman Gastrell
General
A son of the city : $b A story of boy life
Seely, Herman Gastrell
Boys -- Juvenile fiction; City and town life -- Juvenile fiction
Conversation was temporarily impossible, so the trio gazed eagerly
around them. Just ahead, sat a shop girl in a shabby best dress, with a
head of blonde, mismatched hair, and beside her, her escort, an Irish
mechanic, who shifted his head from time to time as the unaccustomed
collar scraped his neck. Across the aisle was a family of towheaded
Swedes, the father self-conscious in his carefully pressed black suit;
the mother, watchful of her two mischievous, blue-eyed urchins. Young
gallants of the neighborhood filled the boxes at either side of the
auditorium, taking this, the most expensive, means of proving their
devotion to their lady loves. In the rear of the theater were the first
and second balconies, occupied by voluble men and women of all ages and
nationalities. Ahead, hung the stage curtain, decorated with staring
advertisements, "Lamson, the neighborhood undertaker," "Trade at the
corner grocery. Vegetables always at the lowest market prices,"
"Snider's drug store, prescriptions, choice candies, and camera
supplies," and the like. From somewhere in the heights came a sharp
"rap-rap-rap," which echoed even to the more forward rows on the main
floor.
"Gallery," explained John. "Fellow knocks on the back of one of the
benches to make the boys behave." His jaws resumed the burden of
reducing that persistent caramel to a swallowable state.
The orchestra of five filed solemnly in through the little door beneath
the stage and took their accustomed places. A dart, propelled by an
urchin of the upper regions who evidently had no fear of the monitor's
stick, sailed serenely downward and found a resting place in a blonde
lock of the salesgirl's hair. The footlights flashed on, and the
musicians struck up a lilting, popular air, as Sid cleared his throat.
"Then the cowboy--" he began.
"Have another?" interrupted John, extending the box of tenacious
goodies.
"Sh-h," whispered Louise. "There goes the curtain."
Why Martha had selected the hapless vocation of milliner's apprentice,
John could not understand. For it was in Madame's little millinery shop
in New York that Mordaunt Merrilac, gentleman by appearance, and leader
of a desperate band of counterfeiters, met and became infatuated with
the heroine. This he revealed in a soliloquy punctuated by frequent
tugging at his black mustache, and strode majestically to the rear of
the long, gloomy basement in which the first act was laid. There he
joined three overalled mechanics in shirtsleeves, who puttered gingerly
about a table on which were mysterious vats and a brightly glowing
electric crucible.
"Is all in readiness?" growled Mordaunt.
"Aye, master."
"Into the acid vat with the plate, then." He drew out a jewelled watch
and studied the dial with knitted brows. "Ten long minutes before we
know of our success."
A muffled scream, long-drawn and filled with terror, broke in upon the
silence which followed. Louise, Sid, and John leaned anxiously forward
on the very edges of their seats.
Public-domain text, read in full here on John Shaqi.
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