It is impossible to deny that, except in hotels which are cosmopolitan,
and adapted to the many wants of the rich English, life in Italy is hard
business enough for the inexperienced traveller, who knows the strange
country into which he has suddenly dropped rather by means of poetical
legends than by the facts of actual existence. A country of vineyards
and orange-groves, of everlasting verdure and sunshine, is indeed, in
its way, a true enough description of one aspect of that many-sided
country: but these words of course convey no intimation of the terrors
of an Italian palace in the depth of winter, where everything is
stone-cold, and the possibilities of artificial warmth are of the most
limited description; where the idea of doors and windows closely fitting
has never entered the primitive mind, and where the cardinal virtue of
patience and endurance of necessary evils wraps the contented native
sufferer like the cloak which he hugs round him. Yet, notwithstanding,
even Lauderdale relaxed out of the settled gloom on his face when he
went to the window of the great bare sitting-room, and gazed out upon
the grand expanse of the Campagna, lighted up with morning sunshine. The
silence of that depopulated plain, with its pathetic bits of ruin here
and there--ruins, to be sure, identified and written down in books, but
speaking for themselves with a more woeful and suggestive voice than can
be uttered by any mere historical associations, through the very depths
of their dumbness and loss of all distinction--went to the spectator’s
heart. What they were or had been, what human hands had erected, or
human hearts rejoiced in them, these lingering remains had ceased to
tell; and it was only with that vagueness which is sadder than any story
that they indicated a former forgotten existence, a past too far away to
be deciphered now.
Public-domain text, read in full here on John Shaqi.
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