"My mother's!" cried Aura gladly, "Oh! may I have it, grandfather?"
Ted looked with distaste at the little mourning ring; just a plait of
bronze brown hair like Aura's set in a plain gold rim as a background
to "In Memoriam" in black enamel letters.
"It is rather grisly," he whispered fondly as he slipped it on to the
girl's finger, "but it will do to--to keep the place warm! By and by
it shall be diamonds."
She shook her head. "I shall like this best," she said, "it will
remind me of----" And then she lifted her finger to her lips and
kissed the little ring. It would be hers always to remind her of Love
and Death, and Birth that came between the two.
CHAPTER XVIII
Poor Gwen's death had caused quite a pleasurable excitement in the
village.
There can be no question that to all save the immediate few whose
natural emotions are involved, most deaths bring a quicker tide of
life to the living.
It has been said, indeed, that funerals are often the preludes to
marriage. Be that as it may, Gwen, despite her gift of grace, had
lived all her short life on such a different plane from the rest of
the village girls that, except in the little shepherd's cottage amid
the hills, few real tears were shed over her dramatic death.
And it was so dramatic! To die in full song--to shed her life-blood in
trying to bring the glad news to other souls. Surely that must avail!
Surely that sacrifice must turn those sinful souls to peace.
Though they did not know it, and for Mr. Sylvanus Smith's prospect of
peace, it was as well he did not, both Aura and her grandfather were
special objects of intercession at many hundreds of chapels the very
next Sunday. For the story naturally grew in the telling.
Meanwhile Gwen, poor soul, was laid with much fervour beside her baby,
the rector duly officiating; for the old shepherd and his wife,
thinking of their own funerals to come, held fast to tradition.
Whatever else you might be in life, death brought you back to the
Church, back to the solemn old service in which dust is reverently
committed to dust, ashes to ashes.
Nearly all the village attended, for, in a way, it was proud of Gwen.
There was but one notable absence. Alicia Edwards was not there to
take her part in singing "Day of Wrath" over her dead friend. She was
in bed or at any rate confined to her room; for the dramatic death on
New Year's morning had apparently been too much for her nerves.
The gossips of the village went in and out, condoling with her, and
applauding her sensibility, and retailing to her all the affecting
particulars of the funeral, the wreaths, the remembrances from souls
saved by the dead girl's singing, the excellence of the mournings
provided by Myfanwy Jones, and the apparently real grief of Mervyn
Pugh, who went about looking like a lost soul himself.
Public-domain text, read in full here on John Shaqi.
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