What did she want? She was taking herself severely to task one
afternoon when Sister Ann came in looking grave.
"I have just had a letter with some rather bad news in it," she said.
"I hope it isn't true, but it sounds serious. It is from my friend who
I told you had gone to study at Vienna."
Helen's heart leapt to her mouth. "Well?" she said impatiently,
wondering the while with a sudden feeling of dread why she should feel
so disturbed.
"I'll read you what he says. 'We are all a bit downhearted just now
because Ramsay, who is one of the nicest fellows who ever lived, is
ill with pyæmia. It would be a thousand pities if he were to go out,
for he is quite the best operator here. Of course he is being well
looked after, but it must be awful away from all one's friends.'"
Helen went deadly white. "Do you think it is true?" she asked almost
helplessly.
Sister Ann re-folded the letter methodically. "It must be _true_, of
course, and it is not unlikely. You know he was always a trifle
reckless when there was anything to be done even here. One can only
hope he is not so very bad. You will send a wire, I suppose?"
"Yes," replied Helen. "Of course we will send a wire--and--yes. I will
send a wire, I think."
"It is terribly sad," said Sister Ann, for all her invariable
cheerfulness, quite mournfully. "Apart from his immense value to the
world, he was such a dear soul in so many ways. I have often thought
what an excellent husband and father he would have made."
After she had gone, to tell the news presumably in that even tone of
voice, Helen thought with a rush of resentment, the latter sat in a
perfect tumult of emotion. Anger, pity, regret all fought for first
place. What right, for instance, had Sister Ann to use the past tense
in speaking of Dr. Ramsay? He was not dead.
Dead?
Impossible, incredible! It could not, it must not be true!
But what good would a wire be to a man lying perhaps unconscious, at
any rate alone?
She stood up pushing her hair back from her forehead. A great wave of
pity for him, but more for herself, overcame her; she stared out of
the room scarcely seeing what was before her.
Just on the opposite side of the room a long pier glass filled up the
space between the two tall windows. It was growing dusk, and the
mirror showed dark and empty looking against the light. No, not quite
empty, there was a figure in it going away from her into the darkness.
It was the figure of a man making haste. It hurried on, its back
towards her, down an interminable pathway that was lost in the
shadows. It was going, oh, so fast! And she recognized it. It was
Peter Ramsay as she had last seen him hurrying away to catch his
train. It grew smaller and smaller, it overtook the shadows, they
gathered it in.
"No! no!" she cried aloud. "Don't go--don t go!"
Public-domain text, read in full here on John Shaqi.
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