the kitchen and servants' room. On the left, at a sudden dip of the
land, and several hundred yards distant, stood the spring house, or
stone dairy, a low structure built over a small stream running from the
bold spring that gushed out of the hillside a few feet away--and falling
into the creek just above the mill-dam.
A shallow canal dug through the centre of the dairy had been paved with
rock, and here, winter and summer, the milk bowls and butter jars stood
in water rippling against their sides.
While General Maurice lived, he kept only his Jersey herd at Nutwood,
but at Willow Bend his famous Short-horns, red, and red roan, roamed
over pasturage extending hundreds of acres. The "cow pen" and milking
shed were not visible, hidden on the edge of a plateau running far away
to a stretch of primeval, lonely pine woods crossed only by cattle
paths. In a green cup encircled by wimpling hills the overseer's home
nestled like a white bird hovering to drink. The sharply curving creek
that divided it from the plantation was bridged a half mile below the
mill, and a dense growth of trees and vines clothed the banks. In an
opposite direction, beyond the house, and mantling the upland slopes,
lay fields of grain, glistening as the wind crinkled the yellowing
folds.
Locust and china trees, overrun by English honeysuckle, coral, and buff
woodbine, shaded the cottage, and all about the spring house clustered
azaleas--white, pink, orange, scarlet--filling the quiet hollow with
waves of incomparable perfume. Hanging on the bluff above the bubbling
spring a thicket of titi swung exquisite opal plumes, over which bees
drowsed; and crowding to the front for dress parade clung a line of
mountain laurel or "ivy" faintly flushed with pale-rose clusters waiting
to burst into bloom and with their crimped shell-pink cups rival fluted
and tinted treasures from Sevres and Murano.
* * * * *
Into this green, shadowy dingle had come its long absent mistress, and,
closing Nutwood, Eglah shared her foster-mother's secluded home in the
heart of the pine woods.
For many months after her father's death she seemed a mute, breathing
statue rather than a suffering woman, so deep lay the pain no words
could fathom. Close and tender as were the ties linking the two, Eliza
dared not probe the wound, and when Eglah closed the door of her own
room, the loving little mother would have broken into a sealed tomb as
soon as violate her solitude.
Public-domain text, read in full here on John Shaqi.
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