A Spoil of Office: A Story of the Modern WestGarland, Hamlin
General
A Spoil of Office: A Story of the Modern West
Garland, Hamlin
Farmers -- Fiction
At precisely noon the gavel fell with a single sharp stroke, and the
speaker called persuasively, "The house will _please_ be in order." The
members rose and stood reluctantly, some of them sharpening their
pencils, others reading while the chaplin prayed sonorously with many
oratorical cadences, taking in all the departments of government in the
swing of his generous benediction.
Instantly at the word "Amen," like the popping of a cork, the tumult
burst out again. Hands clapped, laughter flared out, desks were
slammed, papers were rattled, feet pounded, and the brazen monotonous
clanging voice of the clerk sounded above it all like some new steam
calliope whose sounds were words.
"You see how much prayer means here," said Radbourn.
A good deal of the business which followed was similar in character to
the proceedings at Des Moines. Resolutions were passed with two or
three aye votes and no noes at all, while the rest of the members
looked over the Record, read the morning papers, or wrote on busily.
The speaker declared each motion carried with glib voice.
At last a special order brought up an unfinished debate upon some
matter, and the five minute rule was enforced.
"You're in luck," said Radbourn. "The whole procession is going to pass
before you."
As the debate went on he pointed out the great men whose names
suggested history to Bradley and whose actual presence amazed him.
There was Amos B. Tripp, whom Radbourn said resembled "a Chinese
god"--immense, featureless, bald, with a pout on his face like an
enormous baby. The "watch dog of the house," Major Hendricks, was tall,
thin, with the voice and manner of an old woman. His eyes were
invisible, and his chin-beard wagged up and down as he shouted in high
tenor his inevitable objection.
An old man with abundant hair, blue-white under the perpendicular
light, arose at the back part of the room, making a fine picture
outlined against the deep red screen. His manner was courtly, his ruddy
face pleasing, his voice musical and impassioned.
"He's the dress parade orator of the house," observed Radbourn.
"I like him," said Bradley, leaning forward to absorb the speaker's
torrent of impassioned utterance. When he sat down the members
applauded.
Most of the orators conformed to types familiar to Bradley. There was
the legal type, monotonously emphatic, with extended forefinger, which
pointed, threatened and delineated. His speaking wore on the ear like a
saw-filing. Then there was the political speaker, the stump orator, who
was full of well-worn phrases, who could not mention the price of wool
or the number of cotton bales without using the ferocious throaty-snarl
of a beast of prey.
Public-domain text, read in full here on John Shaqi.
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