A Sportsman's Sketches, Volume 2: Works of Ivan Turgenev, Volume 2Turgenev, Ivan Sergeevich
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A Sportsman's Sketches, Volume 2: Works of Ivan Turgenev, Volume 2
Turgenev, Ivan Sergeevich
Country life -- Russia -- Fiction; Peasants -- Russia -- Fiction; Russia -- Social life and customs -- Fiction
'Some pears,' he began again, after a brief pause, 'need to lie in an
underground cellar for a time, to come, as they say, to their real
flavour; my wife, it seems, belonged to a similar order of nature's
works. It's only now that I do her complete justice. It's only now, for
instance, that memories of some evenings I spent with her before
marriage no longer awaken the slightest bitterness, but move me almost
to tears. They were not rich people; their house was very old-fashioned
and built of wood, but comfortable; it stood on a hill between an
overgrown courtyard and a garden run wild. At the bottom of the hill ran
a river, which could just be seen through the thick leaves. A wide
terrace led from the house to the garden; before the terrace flaunted a
long flower-bed, covered with roses; at each end of the flower-bed grew
two acacias, which had been trained to grow into the shape of a screw by
its late owner. A little farther, in the very midst of a thicket of
neglected and overgrown raspberries, stood an arbour, smartly painted
within, but so old and tumble-down outside that it was depressing to
look at it. A glass door led from the terrace into the drawing-room; in
the drawing-room this was what met the eye of the inquisitive spectator:
in the various corners stoves of Dutch tiles, a squeaky piano to the
right, piled with manuscript music, a sofa, covered with faded blue
material with a whitish pattern, a round table, two what-nots of china
and glass, knicknacks of the Catherine period; on the wall the
well-known picture of a flaxen-haired girl with a dove on her breast and
eyes turned upwards; on the table a vase of fresh roses. You see how
minutely I describe it. In that drawing-room, on that terrace, was
rehearsed all the tragi-comedy of my love. The colonel's wife herself
was an ill-natured old dame, whose voice was always hoarse with spite--a
petty, snappish creature. Of the daughters, one, Vera, did not differ in
any respect from the common run of young ladies of the provinces; the
other, Sofya, I fell in love with. The two sisters had another little
room too, their common bedroom, with two innocent little wooden
bedsteads, yellowish albums, mignonette, portraits of friends sketched
in pencil rather badly (among them was one gentleman with an
exceptionally vigorous expression of face and a still more vigorous
signature, who had in his youth raised disproportionate expectations,
but had come, like all of us, to nothing), with busts of Goethe and
Schiller, German books, dried wreaths, and other objects, kept as
souvenirs. But that room I rarely and reluctantly entered; I felt
stifled there somehow. And, too, strange to say, I liked Sofya best of
all when I was sitting with my back to her, or still more, perhaps, when
I was thinking or dreaming about her in the evening on the terrace. At
such times I used to gaze at the sunset, at the trees, at the tiny
leaves, already in darkness, but standing out sharply against the rosy
Public-domain text, read in full here on John Shaqi.
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