A Sportsman's Sketches: Works of Ivan Turgenev, Volume ITurgenev, Ivan Sergeevich
General
A Sportsman's Sketches: Works of Ivan Turgenev, Volume I
Turgenev, Ivan Sergeevich
Country life -- Russia -- Fiction; Peasants -- Russia -- Fiction; Russia -- Social life and customs -- Fiction
We were beginning to talk about the new marshal of the district, when
suddenly we heard Olga's voice at the door: 'Tea is ready.' We went
into the drawing-room. Fyodor Miheitch was sitting as before in his
corner between the little window and the door, his legs curled up under
him. Radilov's mother was knitting a stocking. From the opened windows
came a breath of autumn freshness and the scent of apples. Olga was
busy pouring out tea. I looked at her now with more attention than at
dinner. Like provincial girls as a rule, she spoke very little, but at
any rate I did not notice in her any of their anxiety to say something
fine, together with their painful consciousness of stupidity and
helplessness; she did not sigh as though from the burden of unutterable
emotions, nor cast up her eyes, nor smile vaguely and dreamily. Her
look expressed tranquil self-possession, like a man who is taking
breath after great happiness or great excitement. Her carriage and her
movements were resolute and free. I liked her very much.
I fell again into conversation with Radilov. I don't recollect what
brought us to the familiar observation that often the most
insignificant things produce more effect on people than the most
important.
'Yes,' Radilov agreed, 'I have experienced that in my own case. I, as
you know, have been married. It was not for long--three years; my wife
died in child-birth. I thought that I should not survive her; I was
fearfully miserable, broken down, but I could not weep--I wandered
about like one possessed. They decked her out, as they always do, and
laid her on a table--in this very room. The priest came, the deacons
came, began to sing, to pray, and to burn incense; I bowed to the
ground, and hardly shed a tear. My heart seemed turned to stone--and my
head too--I was heavy all over. So passed my first day. Would you
believe it? I even slept in the night. The next morning I went in to
look at my wife: it was summer-time, the sunshine fell upon her from
head to foot, and it was so bright. Suddenly I saw ...' (here Radilov
gave an involuntary shudder) 'what do you think? One of her eyes was
not quite shut, and on this eye a fly was moving.... I fell down in a
heap, and when I came to myself, I began to weep and weep ... I could
not stop myself....'
Radilov was silent. I looked at him, then at Olga.... I can never
forget the expression of her face. The old lady had laid the stocking
down on her knees, and taken a handkerchief out of her reticule; she
was stealthily wiping away her tears. Fyodor Miheitch suddenly got up,
seized his fiddle, and in a wild and hoarse voice began to sing a song.
He wanted doubtless to restore our spirits; but we all shuddered at his
first note, and Radilov asked him to be quiet.
'Still what is past, is past,' he continued; 'we cannot recall the
past, and in the end ... all is for the best in this world below, as I
think Voltaire said,' he added hurriedly.
Public-domain text, read in full here on John Shaqi.
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