A Sportsman's Sketches: Works of Ivan Turgenev, Volume ITurgenev, Ivan Sergeevich
General
A Sportsman's Sketches: Works of Ivan Turgenev, Volume I
Turgenev, Ivan Sergeevich
Country life -- Russia -- Fiction; Peasants -- Russia -- Fiction; Russia -- Social life and customs -- Fiction
'Yes,' I replied, 'of course. Besides, every trouble can be endured,
and there is no position so terrible that there is no escape from it.'
'Do you think so?' said Radilov. 'Well, perhaps you are right. I
recollect I lay once in the hospital in Turkey half dead; I had typhus
fever. Well, our quarters were nothing to boast of--of course, in time
of war--and we had to thank God for what we had! Suddenly they bring in
more sick--where are they to put them? The doctor goes here and
there--there is no room left. So he comes up to me and asks the
attendant, "Is he alive?" He answers, "He was alive this morning." The
doctor bends down, listens; I am breathing. The good man could not help
saying, "Well, what an absurd constitution; the man's dying; he's
certain to die, and he keeps hanging on, lingering, taking up space for
nothing, and keeping out others." Well, I thought to myself, "So you
are in a bad way, Mihal Mihalitch...." And, after all, I got well, and
am alive till now, as you may see for yourself. You are right, to be
sure.'
'In any case I am right,' I replied; 'even if you had died, you would
just the same have escaped from your horrible position.'
'Of course, of course,' he added, with a violent blow of his fist on
the table. 'One has only to come to a decision.... What is the use of
being in a horrible position?... What is the good of delaying,
lingering.'
Olga rose quickly and went out into the garden.
'Well, Fedya, a dance!' cried Radilov.
Fedya jumped up and walked about the room with that artificial and
peculiar motion which is affected by the man who plays the part of a
goat with a tame bear. He sang meanwhile, 'While at our Gates....'
The rattle of a racing droshky sounded in the drive, and in a few
minutes a tall, broad-shouldered and stoutly made man, the peasant
proprietor, Ovsyanikov, came into the room.
But Ovsyanikov is such a remarkable and original personage that, with
the reader's permission, we will put off speaking about him till the
next sketch. And now I will only add for myself that the next day I
started off hunting at earliest dawn with Yermolaï, and returned home
after the day's sport was over ... that a week later I went again to
Radilov's, but did not find him or Olga at home, and within a fortnight
I learned that he had suddenly disappeared, left his mother, and gone
away somewhere with his sister-in-law. The whole province was excited,
and talked about this event, and I only then completely understood the
expression of Olga's face while Radilov was telling us his story. It
was breathing, not with sympathetic suffering only: it was burning with
jealousy.
Before leaving the country I called on old Madame Radilov. I found her
in the drawing-room; she was playing cards with Fyodor Miheitch.
'Have you news of your son?' I asked her at last.
The old lady began to weep. I made no more inquiries about Radilov.
VI
THE PEASANT PROPRIETOR OVSYANIKOV
Public-domain text, read in full here on John Shaqi.
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