“I do not deserve such gentleness, monseigneur,” said Moreau, with tears in his eyes. “Yes, you are right; if I had been utterly dishonest I should now be worth five hundred thousand francs instead of half that sum. I offer to give you an account of my fortune, with all its details. But let me tell you, monseigneur, that in talking of you with Madame Clapart, it was never in derision; but, on the contrary, to deplore your state, and to ask her for certain remedies, not used by physicians, but known to the common people. I spoke of your feelings before the boy, who was in his bed and, as I supposed, asleep (it seems he must have been awake and listening to us), with the utmost affection and respect. Alas! fate wills that indiscretions be punished like crimes. But while accepting the results of your just anger, I wish you to know what actually took place. It was, indeed, from heart to heart that I spoke of you to Madame Clapart. As for my wife, I have never said one word of these things--” “Enough,” said the count, whose conviction was now complete; “we are not children. All is now irrevocable. Put your affairs and mine in order. You can stay in the pavilion until October. Monsieur and Madame de Reybert will lodge for the present in the chateau; endeavor to keep on terms with them, like well-bred persons who hate each other, but still keep up appearances.” The count and Moreau went downstairs; Moreau white as the count’s hair, the count himself calm and dignified. During the time this interview lasted the Beaumont coach, which left Paris at one o’clock, had stopped before the gates of the chateau, and deposited Maitre Crottat, the notary, who was shown, according to the count’s orders, into the salon, where he found his clerk, extremely subdued in manner, and the two painters, all three of them painfully self-conscious and embarrassed. Monsieur de Reybert, a man of fifty, with a crabbed expression of face, was also there, accompanied by old Margueron and the notary of Beaumont, who held in his hand a bundle of deeds and other papers. When these various personages saw the count in evening dress, and wearing his orders, Georges Marest had a slight sensation of colic, Joseph Bridau quivered, but Mistigris, who was conscious of being in his Sunday clothes, and had, moreover, nothing on his conscience, remarked, in a sufficiently loud tone:-- “Well, he looks a great deal better like that.” “Little scamp,” said the count, catching him by the ear, “we are both in the decoration business. I hope you recognize your own work, my dear Schinner,” he added, pointing to the ceiling of the salon. “Monseigneur,” replied the artist, “I did wrong to take such a celebrated name out of mere bravado; but this day will oblige me to do fine things for you, and so bring credit on my own name of Joseph Bridau.” “You took up my defence,” said the count, hastily; “and I hope you will give me the pleasure of dining with me, as well as my lively friend Mistigris.”