A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
In the bicycle factory I had repeatedly told the other men that I was
subject to sick headaches and I used to go often to a window, throw
it open and lean out, closing my eyes and trying to create in fancy a
world in which men lived under bright skies, drank wine, loved women
and with their hands created something of lasting value and beauty and
seeing me thus, white and with trembling hands, the men dropped the
talk that so sickened me. Like kind children they came and did my work
or, after the noon hour, brought me little packages of remedies they
had bought at the drug store or had carried to me from their homes.
I had worked the sick headache racket to the limit and then, feeling it
had become wornout, had quit my job and had gone to the place where I
worked with the young athlete I now wanted to beat with my fists.
And on a certain day I tried. I had now convinced myself that the
feint, the cross and the golden smile were all in good working
condition and that no man, least of all the young athlete who could
not stand up to his drink, could stand up against me.
For weeks I had been as nasty as I could be to my fellow-workman. There
was a trick I had learned. I gave one of the kegs I was rolling down
the incline just a little sudden turn with my foot so that it struck
him on the legs as he came into the house through a door. I hit him on
the shins and when he howled with pain expressed the greatest regret
and then as soon as I could, without arousing too much suspicion, I did
it again.
We ceased speaking and only glared at each other. Even the dull-witted
teamsters knew there was a fight brewing. I waited and watched, making
my lips do the nearest thing possible to a golden smile, and at night
in my room and even sometimes when I was walking with Nora and had come
into a quiet dark street I practiced the feint and the cross. “What in
Heaven’s name are you doing?” Nora asked, but I did not tell her but
talked instead of my dreams, of brave men in rich clothes walking with
lovely women in a strange land I was always trying to create in a world
of my fancy and that was always being knocked galley-west by the facts
of my life. Regarding the queer sudden little movements I was always
making with my shoulders and hands I tried to be very mysterious and
once I remember, when we had been sitting on a bench in a little park,
I left her and went behind a bush. She thought I had gone there out of
a natural necessity but it was not true. I had remembered how Harry
Walters and Billy McCarthy, when they were preparing for a fight, did
a good deal of what is called shadow boxing. One imagines an opponent
before oneself and advances and recedes, feints and crosses, whirls
suddenly around and gives ground before a rushing opponent only to come
back at him with terrific straight rights and lefts, just as his attack
has exhausted itself.
Public-domain text, read in full here on John Shaqi.
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