A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
He thought, I dare say, that I would never be foolish enough to fight
him and I must have taken his scorn of me for timidity for I suddenly
grew very bold. He was coming in at the door of the house just as I was
on my way out behind one of the kegs and I suddenly stopped it, looked
him squarely in the eyes and then, with an attempt at the golden smile
on my lips, sent the keg flying directly at him.
He leaped over the keg and came toward me in silence and I prepared to
bring my technique into play. Really I had, at the moment, a great deal
of confidence in myself and began at once rocking my head, making queer
little shifting movements with my feet and trying to establish a kind
of cross rhythm in my shoulders and head that would, I felt, confuse
him.
He looked at me lost in astonishment and I decided to lead. Had I been
content to hit him in the belly with my right, putting all my strength
back of the blow and then had I begun kicking, biting and pummeling
furiously, I might have come out all right. He was so astonished--no
doubt, like Nora, he thought me quite bughouse--that the right would
surely have landed, but that, you see, was not the technique of the
situation.
The thing was to feint for the belly and then “pull one’s punch” as it
were, and immediately afterwards whip over the powerful left to the
jaw. But my left was not powerful and anyway it did not land.
He knocked me down and when I got up and started my gymnastics again he
knocked me down a second time and a third and a fourth. He knocked me
down perhaps a dozen times and the two teamsters came to the door to
watch and all the time there was the most foolish look on his face and
on their faces. It was a look a bulldog attacked by a hen might have
assumed--no doubt by my bullyragging I had convinced them, as I had
myself, I could fight--but presently both my eyes were so swollen and
my nose and mouth so bruised and cut that I could not see and so I got
to my feet and walked away, going out of the warehouse in the midst of
an intense silence on the part of all three of the spectators.
And so along a street I went to my room, followed by two or three
curious children who perhaps thought I had been hit by a freight train
and succeeded in also getting my door bolted against any sudden descent
of Nora. My eyes were very evidently going to be badly discolored, my
nose bled and my lips were badly cut, and so, after bathing my face in
cold water, I put a wet towel over it and went and threw myself on the
bed.
It was one of those moments that come, I presume, into every man’s
life. I was lying on my bed in my room, in the condition already
described, the door was bolted, Nora was not directly about and I was
out from under the eyes of my fellowmen.
I tried to think as one will at such moments.
Public-domain text, read in full here on John Shaqi.
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