A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
The consolation of ink and paper came, however, long after the time
with which I am now concerned, and what a consolation it is! How much
easier it is to sit in a room before a desk and with paper before one
to describe a fight between oneself as hero of some tale and five or
six burly ruffians than with the fists to dispose of one baseball
player on the platform of a warehouse.
In the tale one can do any such job as it should be done and in the
doing give satisfaction both to oneself and the possible reader, for
the reader will always share in the emotions of the hero and gloat with
him over his victories. In the tale, as you will understand, all is
in order. The feint and the cross, the powerful left to the jaw, the
golden smile, the shifting movements of the shoulders that confuse and
disconcert the opponent, all work like well-oiled machines. One defeats
not one baseball player or ruffian of the city streets but a dozen if
the need arises. Oh, what glorious times I have had, sitting in little
rooms with great piles of paper before me; what buckets of blood have
run from the wounds of the villains, foolish enough to oppose me on the
field of honor; what fair women I have loved and how they have loved
me and on the whole how generous, chivalrous, open-hearted and fine I
have been! I remember how I sat in the back room of a small bootlegging
establishment at Mobile, Alabama, one afternoon, long after the time
with which I am now concerned and while three drunken sailors discussed
the divinity of Christ at a near-by table wrote the story of little,
tired-out and crazed Joe Wainsworth’s killing of Jim Gibson in the
harness shop at Bidwell Ohio, that afterward was used in the novel
“Poor White”; and of how at a railroad station at Detroit I sat writing
the tale of Elsie Leander’s westward journey, in “The Triumph of the
Egg,” and missed my own train--these remain as rich and fine spots in a
precarious existence.
But at the time of which I am speaking the consolation of ink and paper
was a thing of the future and my bunged-up eyes and hurt spirits were
facts.
Adieu! the fancy cannot cheat so well
As she is famed to do, deceiving elf.
I lay on my back on my bed, trying to get up courage to face facts.
As for the throbbing of the hurt places, the pain was a kind of
satisfaction to me at the moment.
There was the warehouse where I had been more or less a spiritual bully
but where I would now have to eat crow. Well, I need not go back. The
day before had been payday and I would, by never going near the place
again, lose little money and save myself the humiliation of facing the
teamsters. And when it came to the scratch, I thought, there was the
city I was in, the state, the very United States of America itself--I
could if I chose desert them all. I was young, had been well trained
in poverty, had no family ties, no social position to uphold, I was
unmarried and as yet childless.
Public-domain text, read in full here on John Shaqi.
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