A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
I had found him, on a Saturday evening, very drunk in a saloon in
Chicago. It was about nine o’clock and some time after I had fled from
Nora. I was nearly broke and thought I had better be thinking of doing
something that would bring me in a little money. What should I do?
The devil! It was apparent I would soon have to go to work again with
my hands. After some weeks of idleness my hands had become soft and
velvety to the touch and I liked them so. Now they were hands to hold
a pen or a paint brush. Why was I not a writer or a painter? Well, I
fancied one had to be a fellow of the schools before one dared approach
the arts. Often I went about cursing the fate that had not permitted
me to be born in the fifteenth century instead of the twentieth with
its all-pervading smell of burning coal, oil and gasoline, and with
its noises and dirt. Mark Twain might declare the twentieth the most
glorious of all the centuries but it did not seem so to me. I thought
often of the fifteenth century in Italy when the great Borgia was just
coming into power, was at that time full of the subject. What glorious
children! Why could not I be a glorious child? Aha! the Lord Rodrigo de
Lancol y Borgia, Cardinal-Bishop of Porto and Santa Rufina, Dean of the
Sacred College, Vice-Chancellor of the Holy Roman Church, etc., had
just been made Pope. Did I not myself have an Italian grandmother? What
a place and a time that might have been for me! It was the day of the
coronation of the new Pope and all Rome was excited. On the day before
four mules, laden with silver, had gone from Cardinal Rodrigo’s house
to the house of Cardinal Sforza-Visconti. It was the gentle privilege
of the Romans in those fine days to pillage the house of a cardinal
when he had been made pope. Was it not said, in the sacred laws, that
the vicar of Christ should give his substance to the poor? Fearing
he might not do it the poor went and took. Armed bands of desperate
fellows, with feathers in their hats, roamed the streets of the old
city at such times and a turn of the wheel of fortune might at any
moment make any one of them rich and powerful, a patron of the arts,
a rich and powerful grandee of Church or State. How I longed to be a
richly gowned, soft-handed cunning but scholarly grandee and patron of
the arts!
Public-domain text, read in full here on John Shaqi.
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