A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
I was absorbed in the contemplation of my own difficult position in
life and was thinking only of myself. Sitting at a table I called for
a glass of brandy and when it was paid for realized that I had but two
dollars left in my pocket. I took the two dollars in my hand and looked
at them and putting them away continued looking at my empty hands. They
had, at the moment, as I have said, grown soft and velvety and I wanted
them to remain so. Wild dreams floated through my mind. Why had I not
more physical courage? It was all very well to talk with Ben Hecht of
the many advantages to be gained by being an Italian desperado of the
fifteenth century, but why had I not the courage to be a desperado of
the twentieth? Surely Rome or Naples or Florence, in the days of their
glory, never offered any better pickings than the Chicago of my own
day. In the older day a man slipped a slender knife delicately between
his victim’s neck and spine and made off with a few ducats at the risk
of his life but in Chicago men habitually got thousands of dollars by
robbery apparently without any risk at all. I looked at my own hands
and wondered. Could they hold a pistol steadily to the head of a timid
bank clerk or a mail-wagon driver? I decided they could not and was
ashamed of myself. Then I decided they might some day be induced to
hold a pen or a painter’s brush but reflected that the great patrons of
the arts were all long since dead and that my own brother, a painter,
had been compelled to make magazine covers for commercial “gents” in
order to get the slender amount necessary to educate himself in his
craft. “Huh!” I said to myself, not wanting I’m afraid, to work for any
commercial “gent” at all. Drinking my brandy I looked about the room
into which I had wandered.
It was a desperately dark little hole, lighted by two gaslights and
with two beer-stained tables in the semi-darkness at the rear. I looked
at the bartender, who had a large flat nose and bloodshot eyes and
decided it was just as well I had but two dollars. “I may be robbed
before I leave this hole,” I told myself and ordered another glass of
brandy, thinking I might as well drink up the little money I had rather
than have it taken from me.
And now the men at the other table in the room caught and held my
attention. With the exception of Alonzo Berners, whom the others had
picked up on the street, they were a hard-looking lot. One did not
think of them as desperate fellows. They were of the sort one saw
hanging about the places of Hinky Dink, Bathhouse John or of Conners,
the gray wolf, men famous in Chicago at that time, sullen fellows
without money, by no means desperate but hangers-on of the desperate,
fellows who robbed full of fright at their own temerity but the more
dangerous sometimes because of their fears.
Public-domain text, read in full here on John Shaqi.
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