A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
I had decided to perform a certain act and at the same time began
laughing at myself, not thinking I would be foolish enough to attempt
it. One of these conflicts between myself, as I live in my fancy,
and myself as I exist in fact, that have been going on in me since
I was a child had now started. It is the sort of thing that makes
autobiography, even of the half-playful sort I am now attempting,
so difficult to manage. One wants to treat oneself as a person of
more dignity and worth than one has the courage to attempt. Among
advertising men with whom I later associated we managed things better.
We took turns doing what we called “staging” each other. I was to
speak highly of Smith who in turn did the same of me. The trick
is not unknown to literary men, but it is difficult to manage in
autobiography. The self of the fancy persists in laughing at the self
of fact and does it sometimes at unfortunate moments. Also the fancy
is a great liar. How often later, when I became a man of business, I
did in fancy some shrewd or notable act that was never done in fact at
all, but that seemed so real that it was difficult not to believe in
it as a fact. I had been talking with a certain man and later thought
of a number of brilliant things I might have said. Then I met a friend
and told him of the conversation, putting the brilliant things in. The
story several times repeated became a part of the history of my life
and nothing would have later so amazed me as to have been compelled to
face the facts of the conversation and the figure I had cut in it.
Was the thing I now thought myself about to do in the saloon a fact or
was it but another of the fanciful acts, created in my own imagination,
I might and no doubt would later relate as a fact? Would it not be
better not to attempt to rescue the man in the room and later just to
say I had and in the end make myself believe I had?
There was little doubt I could do the thing more gaudily in fancy. The
place in which I sat was in a part of the city little frequented at
night. Near it were only vacant lots and rows of dark and now empty
factory buildings. It was unlikely there were any policemen in the
neighborhood and in case of need and if a policeman did appear what
sort of fellow was he likely to be--a fellow really appointed to the
district to knock aside such interfering fools as myself? As for the
men seated at the table, if they were cowards it was unlikely the
bartender was one.
Public-domain text, read in full here on John Shaqi.
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