A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
Three young men having run the guard line, together are walking along
a dark road toward a southern city. In the city and later when they
have stood on street corners and walked through the section of the
city where only Negroes live--being Ohio boys and fascinated by the
strangeness of the notion of a race thus set aside--they go into a
saloon where they sit drinking beer. They discuss their officers, the
position of the officer in relation to his men. “I think it’s all
right,” says a doctor’s son. “Ed and Dug are all right. They have to
live off by themselves and act as though they were something special,
kind of grand and wise and gaudy. It’s a kind of bluff, I guess, that
has to be kept up, only I should think it would be kind of tough on
them. I should think they might get to feeling they were something
special and get themselves into a mess.”
And now Ed, the raiser of celery, comes into the saloon. He is saving
all he can of his officer’s pay hoping to buy a few additional acres of
land when he gets back home and he doesn’t much like spending money. He
sees the three sitting there and wants to join them but hesitates. Then
he calls to me and he and I go off together along a street and into
another saloon.
The celery raiser is a devout Catholic and he and I get into a
discussion. I have some money and am buying the beer and so it goes on
for a long time. I speak of the feeling I have when I have marched for
a long time in rhythm with many other men and Ed nods his head. “It’s
the same way I feel about the Church,” he says. “That’s just the way we
Catholics get to feeling about the Church.”
At the camp Ed, being an officer, can walk boldly in but I, being but
a corporal and having gone off to town without leave, must creep along
the guard line to where a fellow from my own town is stationed. “Who
goes there?” he demands sternly; and “Ah, cut it Will, you big boob.
Don’t make such a racket,” I answer as I go past him and creep away in
the darkness to my tent.
And now I am in the tent, awake beside five sleeping men and I am
filled with drinks and thinking of war. What a strange idea that men
should need a war to throw many of them for a time into a common
mood. Is there unison only in hatred? I do not believe it but the
idea fascinates me. Men form a democracy but in the end must throw
the democracy aside in order to make the army that shall protect and
preserve democracy. The guard and myself creeping past him to my tent
are as soldiers a little absurd. Is all feeling of comradeship, of
brotherhood between many men, a little absurd?
BOOK THREE
NOTE I
Public-domain text, read in full here on John Shaqi.
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