A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
They were in their garden unconscious of me and I was unconscious of
a dinner being put on a table downstairs in my house, unconscious of
any need of food I would ever feel again, unconscious of the regime of
my own household, of the affairs of my factory. A man and a woman in
a garden had become the centre of a universe about which it seemed to
me I might think and feel in joy and wonder forever. People had outer
motives that seemed to control their lives. Under certain circumstances
they said certain words. Stealthily I went to lock the door of my room.
A domestic regime would be upset by my determination, the affairs
of a certain factory might be ruined by my inattention but what did
all that, at the moment, matter to me? I became cruelly impersonal
and could not avoid becoming so. Had a god been in my way or intent
on disturbing me just then I would have at least tried to brush him
aside. “You Jove, sit in that chair over there and keep your mouth
shut! You Minerva, get down that stairway, go into the front room of my
house and sit in a rocking-chair with your hands folded until I have
attended to the business before me! At the moment I am concerned with
a man standing in a potato patch with a can of potato bugs held in his
hand and with a certain perplexed baffled look in his eyes and in the
eyes of the wife in a gingham apron who is unnecessarily angry about a
trifling matter of sugar not brought home from a store. You must see
that I am a swimmer and have stripped myself of the clothes which are
my ordinary life. You, my dear Minerva, should not stay in the presence
of a naked man. People will say things about you. Get down the stairway
at once. I am a swimmer and am about to leap off into the sea of lives,
into the sea of present-day American lives. Will I be able to swim
there? Will I be able to keep my head above water? That is a matter for
greater gods than yourself to decide. Get out of here!”
* * * * *
Utter obscurity, the joy of obscurity. Why could not one cling to that?
Why the later vanity that made one want to be proclaimed? I remember
an evening alone in my room. I was not always writing. Sometimes I
read the work of other men. There was a scene being depicted by an old
master of prose. Three men were in a little room talking. What was
attempted was that there should be actual words said while the reader
should be given the sense of things felt for which there were no words.
One of the men kept talking in the most affable and genial manner while
at the same time there was murder in his heart. The three had been
eating and now the man who wanted to kill was fingering the handle of a
knife.
Public-domain text, read in full here on John Shaqi.
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