A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
Among these men I walked and after walking went back to my room to lie
on my cot. I began checking off names. As for myself I had no serious
intention of becoming a New Yorker. I was a middle-westerner born
and bred. All the rest of my days I might drift here and there about
America but at heart I would be, to the New Yorker, a man from beyond
the mountains, an Ohio man to the end.
I was a middle-westerner trying to pick up cultural scraps in New York,
trying to go to school there.
I made little lists of names on the walls of my mind. There was Van
Wyck Brooks, the man who never wrote a line that did not give me joy,
but his mind seemed altogether occupied with what had happened to
Twain, Howells, Whitman, Poe and the New Englanders, men for the most
part dead before I was born. I was sorry they had the rotten luck to
be born in a new land but could not stay permanently sorry. I had to
live myself in the moment, in America as it was, as it was becoming.
Often I thought of Brooks. “He has a theme. It is that a man cannot be
an artist in America. The theme absorbs all his time and energy. He has
little or no time to give to such fellows as myself and our problems.”
I did not put Brooks aside. He put me aside.
There were however others. Alfred Stieglitz, Waldo Frank, Henry Canby,
Paul Rosenfeld, Leo Ornstein, Ben Huebsch, Alfred Kreymborg, Mary and
Padraic Colum, Julius Friend, Ferdinand Schevill, Stark Young when I
came to him later, Lawrence Gilman, Gilbert Seldes, Jane Heap, Gertrude
Stein. Not all of them New Yorkers, but none of them, except Miss Heap
and Ferdinand Schevill middle-westerners like myself.
There were in New York and Chicago no end of people who were willing
to talk to me, listen to my talk, cry out for any good thing I
did, condemn with quick intelligence what I did that was cheap or
second-rate. Not one among them but had thought further than myself,
that could tell me a hundred things I did not know. What a debt of
gratitude I owe to men like Paul Rosenfeld, Stark Young, Alfred
Stieglitz, Waldo Frank and others, men who have willingly taken long
hours out of their busy lives to walk and talk with me of my craft.
I used to lie in my room thinking of them, in relation to myself, in
relation to other writers who were coming out of the Middle West and
who would come. It was rather odd how many of them had Jewish blood
in their veins. I did not believe I was too much prejudiced because
the people I have named liked certain work of my own. Often enough
they did not like it and I had opportunity to realize their reactions
to other men’s work, had seen how Stieglitz had labored for Marin,
Hartley, O’Keefe, Dove and others, how Waldo Frank had given Sandburg
the intelligent appreciation he must have so wanted, had watched with
glowing pleasure the subtle workings of the minds of men like Rosenfeld
and Young.
Public-domain text, read in full here on John Shaqi.
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