A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
All these things the older house had seen as it crouched on the side
of the hill, and now it seemed to have crept away out of sight in
the darkness, hidden itself among the trees still left standing on
the hill; but even as I stood looking lights began to appear at its
windows. The old house seemed smiling and calling to me. Now, myself
and my brothers had no home--the house in which we at that time lived
was not a home--for us there could be no home now that mother was not
there. We but stayed temporarily in a house, with a few sticks of
furniture--waiting--for what?
The older people of our native town had gone out of themselves, warmly,
toward us. How many times had I been stopped on the street by some
solid citizen of our town, a carpenter, Vet Howard, a wheelwright,
Val Voght, a white bearded old merchant, Thad Hurd. In the eyes of
these older people, as they talked to me, there was something, a light
shining as the lights now shone from the farmhouse among the trees.
They knew father--loved him, too, in a way--but well they knew he was
not one to plan for his sons, help his sons in making their own plans.
Was there something wistful in their eyes as they stood talking to the
boy on the village street? I remember the old merchant spoke of God,
but the carpenter and the wheelwright spoke of something else--of the
new times coming. “Things are on the march,” they said, “and the new
generation will do great things. We older fellows belong to something
that is passing. We had our trades and worked at them, but you young
fellows have to think of something else. It is going to be a time when
money will count big, so save your money, boy. You have energy. I’ve
watched you. Now you are a little wild after the girls and going to
dances. I saw you going down toward the cemetery with that little
Truscan girl last Wednesday evening. Better cut that all out. Work.
Save money. Get into the manufacturing business if you can. The thing
now is to get rich, be in the swim. That’s the ticket.”
The older fellows had said these words to me, somewhat wistfully, as
the old house, hidden now in the darkness, seemed to look at me. Was it
because the men who said the words were themselves not quite convinced?
Did the old American farmhouse among the trees know the end of its life
was at hand and was it also calling wistfully to me?
One remains doubtful and, as I now sit writing, I am most doubtful of
all the veracity of this impression I am trying to give of myself as a
boy standing in the darkness in the shelter of the barn’s eaves.
Did I really want to be the son of some prosperous farmer with the
prospect ahead of some day owning land of my own and having a big new
house and an automobile? Or did my eyes but turn hungrily toward the
older house because it represented to my lonely heart the presence of a
mother--who would even go to the length of lying for a fellow?
Public-domain text, read in full here on John Shaqi.
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