A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
ONE who like myself could not, because of circumstances, spend the
years of his youth in the schools must of necessity turn to books and
to the men and women directly about him; upon these he must depend for
his knowledge of life and to these I had turned. What a life the people
of the books led! They were for the most part such respectable people,
with problems I did not have at all or they were such keen and brainy
villains as I could never hope to become. Being a Nero a Jesse James or
a Napoleon I often thought would suit me first rate but I could not see
how I was going to make it. In the first place I never could shoot very
well, I hadn’t the courage to kill people I did not like and to steal
on any grand scale involved the risk of prison--or at least I then
thought it did. I later found that only petty thieves were in danger
but at that time, long before I myself became a schemer in business,
I knew only petty thieves. At the race tracks some of my friends were
always being marched off to prison or I heard of some man I had known
being nabbed and taken away and prisons frightened me. I remembered
vividly a night of my boyhood and myself going through an alleyway
and past our town jail and the white face of a man staring out at me
from behind iron bars. “Hey kid, get me an iron bar or a hammer and
pass it up here to me and I’ll give you a quarter,” he said in harsh
throaty tones but I was frightened at the sight of his white drawn
face in the moonlight and at the thoughts of the grim silent place in
which he stood. A murderer, a crazed farmer who had killed his wife and
hired man with an ax, had once been lodged in the jail and I had got
the notion into my head that all men who passed into its doors were
terrible and dangerous. I ran quickly away and got out of the alleyway
into a lighted street and always afterward I remembered that moment,
the stars in the sky, the moonlight shining on the faces of buildings,
the quick sharp laughter of a girl somewhere in the darkness on the
porch of a house, the sound of a horse’s hoofs in a roadway, all the
sweet sounds of free men and women walking about. I wanted to spend my
life walking about and looking at things, listening to words, to the
sound of winds blowing through trees, smelling life sweet and alive,
not put away somewhere in a dark ill-smelling place. Once later when I
was working at Columbus, Ohio, I went with a fellow--he had a sickening
kind of curiosity about such places and kept urging and urging--to the
state prison on visiting day. It was at the hour when the prisoners
take exercise and many of them were in a large open place between high
walls, on which guards with guns walked up and down. I looked once and
then closed my eyes and during the rest of our pilgrimage through the
place I carefully avoided looking into the prisoners’ faces or into
the cells before which we stopped but looked down instead at the stone
floors until we were again outside in the sunlight.
Public-domain text, read in full here on John Shaqi.
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