“‘Cosmo was succeeded by Francisco, a duke who governed through the instrumentality of the poisoned cup and the dagger, and who lapped blood with the greed of a bloodhound. He married Bianca Cabello, the daughter of a nobleman of Venice. She was the wife of a young Florentine. Francisco saw her, and, inflamed by her marvelous beauty, invited her and her husband to his palace, and assassinated her husband. His own wife died at just that time, probably by poison, and the grand duke married Bianca. His brother, the Cardinal Ferdinando, displeased with the union, presented them each with a goblet of poisoned wine, and they sank into the grave together.’” “Aha!” cried Judge Turner, looking over the top of the book at me and laughing gleefully. “There you are, you see. That was myself in my boyhood, that young Francisco. In my fancy I succeeded, when there was no one about, when I was walking alone along the sidewalks of this very town or when I had got into my bed at night, I succeeded I say in making the great metamorphosis. In the books in my father’s library were many pictures of the streets of old Italian and Spanish cities. There was one I sharply remember. Two young bloods, with cloaks over their shoulders and with swords swinging at their sides, are approaching each other along a street. Two or three monks, a man seated on the back of a donkey going along a narrow roadway, a great stone bridge in the far distance, a bridge spanning perhaps a deep dark gulf between high mountain peaks, peaks faintly seen amid clouds and in the foreground, near the two young men and dominating the whole scene, a great cathedral done in the glorious Gothic style that I myself later, in my real flesh and blood life, so loved and bowed down before at Chartres in France.” “And there was I, in fancy you understand, one of the two young men walking in that glorious street and not frightened little Arthur Turner, son of a sad and discouraged Presbyterian minister in an Ohio town. There was the metempsychosis. I was Francisco before he had succeeded Cosmo and had become himself the great and charmingly wicked duke sitting in his ducal chair, and long before he became enamored of the lovely Bianca. Every day I went into my own little room in my father’s house and got out a sword of wood I had fashioned from a lath and buckled it on. I had got one of my father’s coats from a closet and this, serving me as a cloak, I imagined it of the finest Florentine stuff, a cloak of such stuff as would become the shoulders of one who belonged to the great Medici family and who was to sit in the proud ducal chair of Florence. Up and down the room I went and below my father, the sad long-faced man, had become in my fancy the great Cosmo himself. We were in our ducal palace and cardinals in their red cloaks, princes, captains of armies, ambassadors and other princely personages were waiting at the door for a word with the great Cosmo.