A Strange World: A Novel. Volume 3 (of 3)Braddon, M. E. (Mary Elizabeth)
General
A Strange World: A Novel. Volume 3 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
‘Delighted to oblige a friend of Miss Elgood’s,’ answered Mr. Fisfiz,
politely. ‘Yes, I know Madame Bâlo well enough to scribble a note of
introduction to her. She is a very clever woman, with a passion for
clever people. And I believe you belong to the world of letters, Mr.
Clissold?’
‘Yes, I have dabbled in literature,’ answered Maurice.
‘Just the very man to delight Madame Bâlo. She is a woman of mind. When
do you want the letter?’
‘As soon as ever you can oblige me with it. I dare say a line on one of
your cards would do as well. I merely wish to ask Madame Bâlo a few
questions about a young lady who was once a member of her establishment
at Seacomb; supposing that she is identical with the Miss Barlow I have
spoken of.’
‘I’ll do what you want at once,’ said Mr. Fisfiz.
He seated himself at the prompter’s table, and wrote on the back of a
card, in a neat and minute penmanship,—
‘DEAR MADAME,—Mr. Clissold, the bearer of this card, is a literary
gentleman of some standing, who wishes to make your acquaintance.
Any favour you may accord him will also oblige,
‘Yours very truly,
‘R. F.’
‘I think that will be quite enough for Madame Bâlo,’ he said.
Half an hour later Maurice was in a hansom, bowling along the Edgware
Road towards Maida Vale.
Here, on the banks of the canal, in a somewhat retired and even
picturesque spot, he found the abode of Madame Bâlo, stuccoed and
classical as to its external aspect, with a Corinthian portico, which
almost extinguished the house to which it belonged.
A neat maid-servant opened the iron gate of the small parterre in front
of the portico, and admitted him without question. She ushered him into
a drawing-room handsomely furnished, and much ornamented with divers
specimens of feminine handicraft—water-colour landscapes on the walls;
Berlin-work chair covers; a tapestry screen, whereon industrious hands
had imitated Landseer’s famous Bolton Abbey; fluffy and beady mats on
the tables and chiffoniers; and alabaster baskets of wax fruit and
flowers carefully preserved under glass shades.
A glance at these things told Maurice that he was on the track of the
original Miss Barlow. Such a collection of fancy-work could only belong
to a retired schoolmistress.
A grand piano, open, with a well-filled musicstand beside it, occupied
an important position in the room. Early as it was in the autumn, a
bright little fire burned in the shining steel grate.
Maurice had ample leisure to study the characteristics of the apartment
before Madame Bâlo made her appearance; but after examining all the
works of art, and roaming about the room somewhat impatiently for some
time, he heard an approaching rustle of silk, and Madame Bâlo entered,
splendid in black moire antique, profusely bugled and fringed, and a
delicate structure of pink crape and watered ribbon, which no doubt was
meant for a cap.
Public-domain text, read in full here on John Shaqi.
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