A Strange World: A Novel. Volume 3 (of 3)Braddon, M. E. (Mary Elizabeth)
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A Strange World: A Novel. Volume 3 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
She was a smiling, pleasant-looking little woman, short and stout, with
a somewhat rubicund visage, and a mellow voice, nothing prim or
scholastic about her appearance, her distinguishing quality being rather
friendliness and an easy geniality.
‘Delighted to see any friend of Mr. Fisfiz,’ she said, with a gushing
little manner that had something fresh and youthful about it, in spite
of her sixty years; not affected juvenility, but the real thing.
‘Charming man, Mr. Fisfiz—one of the finest quartette players I know. We
have some pleasant evenings here now and then, when his theatre is shut.
I should be happy to see you at my little parties, Mr. Clissold, if you
are fond of chamber music.’
‘You are very kind. I should be pleased to make one of your audience,
however limited my powers of appreciation might be. But my call to-day
is on a matter of business rather than of pleasure, and I fear I am
likely to bore you by asking a good many questions.’
‘Not at all,’ said Madame Bâlo, with a gracious wave of the pink
structure.
‘First and foremost, then, may I venture to ask if you always spelt your
name as it is inscribed on the brass plate on your gate, or whether its
present orthography—the circumflex accent included—is not rather
fanciful than correct? Pray pardon any seeming impertinence in my
inquiry. The lady I am in quest of was proprietress of a school at
Seacomb, in Cornwall, eminently respected by all who knew her. It struck
me that you might be that very Miss Barlow.’
The lady blushed, coughed dubiously, and after a little hesitation,
answered frankly,—
‘Upon my word, Mr. Clissold, I don’t know why I should be ashamed of the
matter,’ she said, smiling. ‘It is a free country, and we are always
taught that we may do as we like with our own. Now nothing can be more
one’s own property than one’s name.’
‘Certainly not.’
‘When I came back to England, after a lengthened sojourn in romantic
Italy—the dream of my life through many a year of toil,—I found that I
was still too young, and of far too energetic a temperament to settle
down to idleness and retirement. I am speaking now of fifteen years ago.
In Italy I had cultivated and improved my powers as an instrumentalist,
and I had made myself mistress of the mellifluous language to which a
Dante and a Tasso have lent renown. In Italy I had been known as the
Signora Bâlo. Gradually I had fallen into the way of writing my name as
my Italian friends preferred to write it; and ultimately, when I
established myself in this modest dwelling, and issued my circulars, I
preferred to appeal to a patrician and fashionable public under the
Italianized name of Bâlo, and with the prefix Madame.’
‘Your explanation is perfect, Madame,’ replied Maurice, ‘and I thank you
sincerely for your candour. And now may I inquire if you remember among
your pupils at Seacomb a young lady of the name of Trevanard?’
Madame Bâlo looked agitated.
Public-domain text, read in full here on John Shaqi.
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