A Strange World: A Novel. Volume 3 (of 3)Braddon, M. E. (Mary Elizabeth)
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A Strange World: A Novel. Volume 3 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
The idea that this grandchild of his was the rightful owner of the
Penwyn estate, Borcel End included, moved Michael Trevanard but
slightly. He was not calm enough to consider this business from a
worldly point of view. He could only think of the grandchild that was
born under his roof, and spirited away while he lay in his bed,
unsuspecting of the evil that was being wrought for love of his good
name. He could only think of the persecuted daughter whose life had been
made so bitter—of the husband who had never lived to acknowledge his
wife—the father who had never known of his child’s birth. The thought of
these things altogether absorbed his mind, and he scarcely realized the
fact of his grandchild’s claim to wealth and position.
‘And where is she? What is she doing now—Muriel’s daughter—my
grandchild?’ he asked.
Maurice explained Justina’s position.
‘What!’ cried the old man, with a wry face, ‘a play actress? Raddled red
and white, and in short petticoats all over tinsel stars, capering
outside a show?’ his only notion of actresses was founded on his
experiences at Seacomb cattle fair—‘do you mean to say that my flesh and
blood has come to that?’
Maurice hastened to correct the farmer’s idea of the dramatic
profession, and to assure him that his granddaughter was to all intents
and purposes a lady; modest, refined in feeling and in manner, beautiful
in mind and person, a grandchild of whom he had ample reason to be
proud.
‘A London theatre is not in the least like those itinerant playhouses
you have seen at Seacomb fair,’ he said.
‘Humph! They don’t dance outside, I suppose? or play the Pandean pipes,
and beat a gong?’
‘Nothing approaching it. You might mistake a London theatre for a
church, looking at its outside.’
‘And they don’t raddle their faces, eh?’
‘Oh dear no!’ Maurice replied, with a faint twinge in that region of his
sensorium which phrenologists appropriate to conscientiousness. ‘Not in
the least. In short, acting in London is high art.’
‘And no short petticoats and tinsel stars, eh?’
‘No tinsel stars! Nor does your granddaughter ever appear in short
petticoats. She is a most refined and elegant actress, and I know that
whether you see her on or off the stage, you will be equally charmed
with her.’
‘I shall love her for Muriel’s sake,’ answered Michael Trevanard,
tenderly. ‘Yes, I should love her dearly; even if she raddled her cheeks
and danced outside a show at a fair!’
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CHAPTER XIV
‘A SOUL AS WHITE AS HEAVEN.’
Public-domain text, read in full here on John Shaqi.
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