(4) It shows Cinderella sleeping in a garret instead of on
the hearth.
(5) It omits the Father.
(6) It omits the hazel bough.
(7) It omits the three wishes.
(8) It substitutes the fairy Godmother for the hazel tree
and the friendly doves.
(9) It substitutes transformation for tree-shaking.
(10) It omits the episode of the pear tree and of the
pigeon-house.
(11) It omits the use of pitch and axe-cutting.
(12) It omits the false bride and the two doves.
(13) It substitutes two nights at the ball for three nights.
(14) It makes C. forgiving and generous at the end. The Sisters
are not punished.
(15) It contains slippers of glass instead of slippers of gold.
(16) It simplifies the narrative, improves the structure, and puts
in the condition, which is a keystone to the structure.
(17) It has no poetical refrain.
(18) It is more direct and dramatic.
(19) It draws the characters more clearly.
(20) Is it not more artificial and conventional?
This contrast shows the Grimm tale to be the more poetical, while it
is the more complex, and contains more barbarous and gruesome elements
unsuited to the child of to-day. Of the two forms, the Grimm tale
seems the superior tale, however, and if rewritten in a literary form
suited to the child, might become even preferable.
_Sleeping Beauty_, which is another romantic tale that might claim to
be the most popular fairy tale, has for its theme the long sleep of
winter and the awakening of spring. The Earth goddess, pricked by
winter's dart, falls into a deep sleep from which she is awakened by
the Sun who searches far for her. This tale is similar to the Norse
_Balder_ and the Greek _Persephone_. Some of its incidents appear also
in _The Two Brothers_, an Egyptian tale of the Nineteenth Dynasty of
Seti II, in which the Hathors who pronounce the fate of the Prince
correspond to the wicked old Fairy. The spindle whose prick caused
slumber is the arrow that wounded Achilles, the thorn which pricked
Siegfried, the mistle-toe which wounded Balder, and the poisoned nail
of the demon in _Surya Bai_. In the northern form of the story we find
the ivy, which is the one plant that can endure winter's touch. The
theme of the long sleep occurs in the mediæval legend of _The Seven
Sleepers of Ephesus_, in the English _The King of England and His
Three Sons_, poetically as Tennyson has given it in his _Day-Dream_,
and in the _Story of Brunhilde_, in _Siegfried_. Here a hedge of
flames encircles Brunhilde who is awakened at the touch of Siegfried's
magic sword, just as Sleeping Beauty is awakened by the Prince's kiss.
The kiss may be a survival of an ancient form of worship of some local
goddess. In the Hindu _Panch-Rhul Ranee_, seven ditches surmounted by
seven hedges of spears, surround the heroine. Of the Perrault and
Grimm versions of _Sleeping Beauty_, the Perrault version is long and
Public-domain text, read in full here on John Shaqi.
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