(2) Transformation; simple, as in _Puss-in-Boots_; by love, as in _Beauty and the Beast_, by sprinkling with water, as in _Beauty and the Beast_ or by bathing, as in _Catskin_; by violence, as in _Frog Prince_ and _White Cat_. (3) Tasks as marriage tests; as in _Cinderella_. (4) Riddle test; as in _Peter, Paul, and Espen_; questions asked, as in _Red Riding Hood_. (5) Magic sleep; as in _Sleeping Beauty_. (6) Magic touch; as in _Golden Goose_. (7) Stupid person causing royalty to laugh; as in _Lazy Jack_. (8) Exchange; as in _Jack and the Beanstalk_. (9) Curiosity punished; as in _Bluebeard_ and _Three Bears_. (10) Kindness to persons rewarded; as in _Cinderella, Little Two-Eyes_, and _The House in the Wood_. (11) Kindness to animals repaid; as in _Thumbelina, Cinderella_, and _White Cat_. (12) Industry rewarded; as in _Elves and the Shoemaker_. (13) Hospitality rewarded; as in _Tom Thumb_. (14) Success of a venture; as in _Dick Whittington_. After studying the tale as folk-lore, know it as literature. Master it as a classic, test it as literature, to see wherein lies its appeal to the emotions, its power of imagination, its basis of truth, and its quality of form; study it as a short-story and view it as a piece of narration. It is rather interesting to note that you can get all there is in a tale from any one point of view. If you follow the sequence as setting, through association you get the whole, as may be seen by referring to _Chanticleer and Partlet_ under the heading, "Setting," in the chapter on the "Short-Story." Or, if you follow the successive doings of the characters you get the whole, as may be observed in the story of _Medio Pollito_, described later in the "Animal Tale" in the chapter, "Classes of Tales." Or if you follow the successive happenings to the characters, the plot, you get the whole, as may appear in the outline of _Three Pigs_ given in the chapter which handles "Plot." Note the beauty of detail and the quality of atmosphere with which the setting surrounds the tale; note the individual traits of the characters and their contrasts; observe how what each one does causes what happens to him. Realize your story from the three points of view to enter into the author's fullness. Get a good general notion of the story first.