Hawthorne, Nathaniel, 1804-1864; Novelists, American -- 19th century -- Biography
Hawthorne, it is true, expanded so constantly, that however many works
he might have produced, it seems unlikely that any one of them would
have failed to record some large movement in his growth; and therefore
it is perhaps to be regretted that his life could not have been made to
solely serve his genius, so that we might have had the whole sweep of
his imagination clearly exposed. As it is, he has not given us a large
variety of characters; and Hester, Zenobia, and Miriam bear a certain
general likeness one to another. Phoebe, however, is quite at the
opposite pole of womanhood; Hilda is as unlike any of them as it is easy
to conceive of her being; and Priscilla, again, is a feminine nature of
unique calibre, as weird but not so warm as Goethe's Mignon, and at the
same time a distinctly American type, in her nervous yet captivating
fragility. In Priscilla and Phoebe are embodied two widely opposed
classes of New England women. The male characters, with the exception of
Donatello and Hollingsworth, are not so remarkable as the feminine ones:
Coverdale and Kenyon come very close together, both being artistic and
both reflectors for the persons that surround them; and Dimmesdale is to
some extent the same character,--with the artistic escape closed upon
his passions, so that they turn within and ravage his heart,--arrested
and altered by Puritan influences. Chillingworth is perhaps too devilish
a shape of revenge to be discussed as a human individual. Septimius,
again, is distinct; and the characterization of Westervelt, in
"Blithedale," slight as it is, is very stimulating. Perhaps, after all,
what leads us to pronounce upon the whole fictitious company a stricture
of homogeneity is the fact that the author, though presenting us each
time with a set of persons sufficiently separate from his previous ones,
does not emphasize their differences with the same amount of external
description that we habitually depend upon from a novelist. The
similarity is more in the author's mode of presentation than in the
creations themselves.
Public-domain text, read in full here on John Shaqi.
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