New Shakspere Society (Great Britain); Shakespeare, William, 1564-1616 -- Criticism and interpretation
{247} A pre-Shakespearean word of single occurrence in a single play of
Shakespeare's, and proper to the academic school of playwrights.
{248} _The First Part of Tamburlaine the Great_, Act v. Sc. ii.
{252} It may be worth a remark that the word _power_ is constantly used
as a dissyllable; another note of archaic debility or insufficiency in
metre.
{255} Yet another essentially non-Shakespearean word, though doubtless
once used by Shakespeare; this time a most ungraceful Gallicism.
{256} It may obviate any chance of mistake if I observe that here as
elsewhere, when I mention the name that is above every name in English
literature, I refer to the old Shakespeare, and not to "the new
Shakspere"; a _novus homo_ with whom I have no acquaintance, and with
whom (if we may judge of a great--or a little--unknown after the
appearance and the bearing of those who select him as a social sponsor
for themselves and their literary catechumens) I can most sincerely
assert that I desire to have none.
{261} Surely, for _sweet'st_ we should read _swift'st_.
{262a} This word occurs but once in Shakespeare's plays--
And speaking it, he wistly looked on me;
(_King Richard II_. Act v. Sc. 4.)
and in such a case, as in the previous instances of the words _invocate_
and _endamagement_, a mere [Greek text] can carry no weight of evidence
with it worth any student's consideration.
{262b} This form is used four times by Shakespeare as the equivalent of
Bretagne; once only, in one of his latest plays, as a synonym for
Britain.
{263a} Another word indiscoverable in any genuine verse of
Shakespeare's, though not (I believe) unused on occasion by some among
the poets contemporary with his earlier years.
{263b} This word was perhaps unnecessarily altered by our good Capell to
"tender."
{264a} Yet another and a singular misuse of a word never so used or
misused by Shakespeare.
{264b} Qu. Why, so is your desire: If that the law, etc.?
Public-domain text, read in full here on John Shaqi.
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