A Summer in a Canyon: A California StoryWiggin, Kate Douglas Smith
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A Summer in a Canyon: A California Story
Wiggin, Kate Douglas Smith
California -- Fiction
The grand performance of ‘As You Like It’ must have a more extended
notice than it has yet received, inasmuch as its double was never seen on
any stage.
The reason of this somewhat ambitious selection lay in the fact that our
young people had studied it in Dr. Winship’s Shakespeare class the
preceding winter, but they were actually dumb with astonishment when Bell
proposed it for the opening performance in the new theatre.
‘I tell you,’ she argued, ‘there are not many pieces which would be
effective when played out of doors by dim candle-light, but this will be
just as romantic and lovely as can be. You see it can be played just “as
you like it.”’
Philip and Aunt Truth wanted a matinée performance, but the girls
resisted this plan very strongly, feeling that the garish light of day
would be bad for the makeshift costumes, and would be likely to rob them
of what little courage they possessed.
‘We give the decoration of the theatre entirely into your hands, boys,’
Polly had said on the day before the performance. ‘You have some of the
hardest work done already, and can just devote yourselves to the
ornamental part; but don’t expect any more ideas from us, for you will
certainly be disappointed.’
‘I should think not, indeed!’ cried Bell, energetically. ‘Here we have
the wall decorations for the first scene, and all the costumes besides;
and the trouble is, that three or four of them will have to be made
to-morrow, after Laura comes with the trappings of war. I hope she will
get here for dinner to-night; then we can decide on our finery, and have
a rough rehearsal.’
‘Well, girls!’ shouted Jack, from the theatre, ‘come and have one
consultation, and then we’ll let you off. Phil wants to change the
location altogether.’
‘Oh, nonsense!’ cried Madge, as the three girls ran towards the scene of
action. ‘It’s the only suitable place within a mile of the camp.’
‘I think it will be simply perfect, when you have done a little more
cutting,’ said Bell. ‘Just see our advantages: First, we have that
rising knoll opposite the stage, which is exactly the thing for audience
seats; then we have a semicircular background of trees and a flat place
for the stage, which is perfectly invaluable; last of all, just gaze upon
that madroño-tree in the centre, and the oak on the left; why, they are
worth a thousand dollars for scenery.’
‘Especially in the first scene—ducal interior, or whatever it is,’ said
Phil, disconsolately.
‘Jingo! that is a little embarrassing,’ groaned Jack.
‘Not at all,’ said Polly, briskly. ‘There is plenty of room to set the
interior in front of those trees. It can be all fixed beforehand, and
just whisked away for good at the end of the first act.’
‘That’s true,’ said Geoff, thoughtfully. ‘But we can’t have any Adam’s
cottage. We talked it over last night, and decided it “couldn’t be
did.”’
‘Did you indeed!’ exclaimed Bell, sarcastically. ‘Then allow me to
remark that you three boys represent a very obtuse triangle.’
Public-domain text, read in full here on John Shaqi.
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