There is one point to be noted about Nekrasoff which was somewhat neglected by the critics during his lifetime. No other Russian poet of that day was so fond of calling attention to the bright sides of the national life, or depicted so many positive, ideal, brilliant types with such fervent, purely Schilleresque, enthusiasm as Nekrasoff. And most significant of all, his positive types are not of an abstract, fantastic character, clothed in flesh and blood of the period and environment, filled with conflicting, concrete characteristics--not one of them resembles any other. He sought and found them in all classes of society; in "Russian Women" he depicts the devoted princesses in the highest circle of the social hierarchy, with absolute truth, as faithful representatives of Russian life and Russian aristocrats, capable of abandoning their life of ease and pleasure, and with heroism worthy of the ancient classic heroines, accompanying their exiled husbands to Siberia, and there cheerfully sharing their hardships. His pictures of peasant life are equally fine; that in "Red-Nosed Frost" (the Russian equivalent of Jack Frost) is particularly famous, and the peasant heroine, in her lowly sphere, yields nothing in grandeur to the ladies of the court. The theme of "Red-Nosed Frost" may be briefly stated in a couple of its verses, in the original meter: There are women in Russian hamlets With a dignified calmness of face; With a beautiful strength in their movements, With mien and glance of an empress in grace. A blind man alone could ignore them; And he who can see them must say: "She passes--'tis as though the sun shineth! She looks--'tis giving rubles away!"