A Survey of Russian Literature, with SelectionsHapgood, Isabel Florence
History
A Survey of Russian Literature, with Selections
Hapgood, Isabel Florence
Russian literature -- History and criticism
"But look to it, you rascal, that you don't drown us!" said the
Generals, when they saw the craft pitching on the waves.
"Be easy, Generals, this is not my first experience," replied
the peasant, and began to make preparations for departure.
The peasant collected soft swansdown, and lined the bottom of
the boat with it; having done this, he placed the Generals on
the bottom, made the sign of the cross over them, and set sail.
The pen cannot describe, neither can the tongue relate, what
terror the Generals suffered during their journey, from storms
and divers winds. But the peasant kept on rowing and rowing,
and fed the Generals on herrings.
At last, behold Mother Neva, and the splendid Katherine Canal,
and great Pettifoggers Street! The cook-maids clasped their
hands in amazement at the sight of their Generals, so fat,
white, and merry! The Generals drank their coffee, ate rolls
made with milk, eggs, and butter, and put on their uniforms.
Then they went to the treasury, and the pen cannot describe,
neither can the tongue relate, how much money they received
there.
But they did not forget the peasant; they sent him a wineglass
of vodka and a silver five-kopek piece.[41] "Make merry, big,
coarse peasant!"
While Turgeneff represented the "western" and liberal element (with a
tinge of the "red") in the school of the '40's, and Gontcharoff stood
for the bourgeois and opportunist ideals of the St. Petersburg
bureaucrats, Count Lyeff Nikolaevitch Tolstoy penetrated more profoundly
into the depths of the spirit of the times than any other writer of the
period in the matter of analysis and skepticism which characterized that
school, and carried them to the extremes of pitiless logic and
radicalness, approaching more closely than any other to democratic and
national ideals. But notwithstanding all his genius, Count Tolstoy was
not able to free himself to any great extent from his epoch, his
environment, his contemporaries. His special talents merely caused him
to find it impossible to reconcile himself to the state of affairs
existing around him; and so, instead of progressing, he turned back and
sought peace of mind and a firm doctrine in the distant past of
primitive Christianity. Sincere as he undoubtedly is in his propaganda
of self-simplification and self-perfection--one might almost call it
"self-annihilation"--his new attitude has wrought great and most
regrettable havoc with his later literary work, with some few
exceptions.
And yet, in pursuing this course, he did not strike out an entirely new
path for himself; his youth was passed in an epoch when the ideal of
personal perfection and self-surrender stood in the foreground, and
constituted the very essence of Russian progress.
Public-domain text, read in full here on John Shaqi.
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