After 1846 Byelinsky was connected with the journal, "The Contemporary," published by the poet Nekrasoff, and I. I. Panaeff, to which the best writers of the day contributed. Here, during the brief period when his health permitted him to work, he expressed even bolder and more practical ideas, and became the advocate of the "natural school," of which he regarded Gogol as the founder, wherein poetry was treated as an integral part of every-day life. Turgeneff has declared, that Byelinsky indisputably possessed all the chief qualities of a great critic, and that no one before him, or better than he, ever expressed a correct judgment and an authoritative verdict, and that he was, emphatically, "the right man in the right place." One author who deserves to be better known outside of Russia produced the really original and indescribably fascinating works on which his fame rests during the last ten or twelve years of his long life, late in the '40's and '50's, although he was much older than the authors we have recently studied, and began to write much earlier than many of them. His early writing, however, was in the classical style, and does not count in comparison with his original descriptions of nature, and of the life of the (comparatively) distant past. Sergyei Timofeevitch Aksakoff (1791-1859), the descendant of a very ancient noble family, was born in far-away eastern Russia, in Ufa, and was very well educated by his mother, at schools, and at Kazan University. His talents first revealed themselves in 1847, in his "Notes on Angling," and his "Diary of a Sportsman with a Gun," in the Orenburg Government (1852). Most famous of all, and most delightful, are the companion volumes, "A Family Chronicle and Souvenirs" (1856) and "The Childhood's Years of Bagroff's Grandson" (1858). In these Russian descriptive language made a great stride in advance, even after Pushkin and Gogol; and as a limner of landscape, he has no equal in Russian literature. The most noteworthy point about his work is that there is not a trace of creative fancy or invention; he describes reality, takes everything straight from life, and describes it with amazing faithfulness and artistic harmony. He was the first Russian writer to look on Russian life from a positive instead of from a negative point of view.[19]