Miss Heath’s private sitting-room was on the ground floor. This lovely
room has been described before. It was open now, and Prissie went in
without knocking; she thought she would see Miss Heath sitting as she
usually was at this hour, either reading or answering letters. She was
not in the room. Priscilla felt too wild and impetuous to consider any
action carefully just then. She ran up at once to the electric bell and
pressed the button for quite a quarter of a minute. A maid servant came
quickly to answer the summons. She thought Miss Heath had sent for her
and stared at the excited girl.
“I want to see Miss Heath,” said Priscilla. “Please ask her to come to
me here. Say Miss Peel wants to see her— Priscilla Peel wants to see
her, very, _very_ badly, in her own sitting-room at once. Ask her to
come to me at once.”
The presence of real tragedy always inspires respect. There was no
question with regard to the genuineness of Priscilla’s sorrow just
then.
“I will try and find Miss Heath, miss, and ask her to come to you
without delay,” answered the maid. She softly withdrew, closing the
door after her. Priscilla went and stood on the hearthrug. Raising her
eyes for a moment, they rested on a large and beautiful platinotype of
G. F. Watts’ picture of “Hope.” The last time she had visited Miss
Heath in that room Prissie had been taken by the kind vice-principal to
look at the picture, and some of its symbolism was explained to her.
“That globe on which the figure of Hope sits,” Miss Heath had said, “is
meant to represent the world. Hope is blindfolded in order more
effectually to shut out the sights which might distract her. See the
harp in her hand, observe her rapt attitude— she is listening to
melody— she hears, she rejoices, and yet the harp out of which she
makes music only possesses one string— all the rest are broken.” Miss
Heath said nothing further, and Prissie scarcely took in the full
meaning of the picture that evening. Now she looked again, and a
passionate agony swept over her. “Hope has one string still left to her
harp with which she can play music,” murmured the young girl; “but oh!
there are times when all the strings of the harp are broken. Then Hope
dies.”
The room door was opened and the servant reappeared.
“I am very sorry, miss,” she said, “but Miss Heath has gone out for the
morning. Would you like to see any one else?”
Priscilla gazed at the messenger in a dull sort of way. “I can’t see
Miss Heath?” she murmured.
“No, miss, she is out.”
“Very well.”
“Can I do anything for you, miss?”
“No, thank you.”
The servant went away with a puzzled expression on her face.
“That plain young lady, who is so awful poor— Miss Peel, I mean— seems
in a sad taking,” she said by and by to her fellow-servants.
Public-domain text, read in full here on John Shaqi.
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