“I regarded it as the effects of delirium at the time,” continued Miss
Heath, “and as you had fever immediately afterward, dreaded referring
to the subject. Now I blame myself for not having told you sooner, for
I believe that Annabel was conscious and that she had a distinct
meaning in her words.”
“What did she say? Please don’t keep me in suspense.”
“It was shortly before she died,” continued Miss Heath; “the fever had
run very high, and she was weak, and I could scarcely catch her words.
She looked at me. You know how Annabel could look, Maggie; you know how
expressive those eyes could be, how that voice could move one.”
Maggie had sunk back again in her chair; her face was covered with her
trembling hands.
“Annabel said,” continued Miss Heath, “‘tell Maggie not to mistake me.
I am happy. I am glad she will marry’— I think she tried to say a name,
but I could not catch it— tell her to marry him, and that I am _very_
glad.’”
A sob broke from Maggie Oliphant’s lips. “You might have told me
before!” she said in a choked voice.
CHAPTER XXXII
“THE PRINCESS”
The great event of the term was to take place that evening. _The
Princess_ was to be acted by the girls of St. Benet’s, and, by the kind
permission of Miss Vincent, the principal of the entire college,
several visitors were invited to witness the entertainment. The members
of the Dramatic Society had taken immense pains; the rehearsals had
been many, the dresses all carefully chosen, the scenery appropriate—
in short, no pains had been spared to render this lovely poem of
Tennyson’s a dramatic success. The absence of Rosalind Merton had, for
a short time, caused a little dismay among the actors. She had been
cast for the part of Melissa:
“A rosy blonde, and in a college gown
That clad her like an April daffodilly.”
But now it must be taken my some one else.
Little Ada Hardy, who was about Rosalind’s height, and had the real
innocence which, alas! poor Rosalind lacked, was sent for in a hurry,
and, carefully drilled by Constance Field and Maggie Oliphant, by the
time the night arrived she was sufficiently prepared to act the
character, slight in itself, which was assigned to her. The other
actors were, of course, fully prepared to take their several parts, and
a number of girls were invested in the
“Academic silks, in hue
The lilac, with a silken hood to each,
And zoned with gold.”
Nothing could have been more picturesque, and there was a buzz of
hearty applause from the many spectators who crowded the galleries and
front seats of the little theater when the curtain rose on the
well-known garden scene, where the Prince, Florian and Cyril saw the
maidens of that first college for women— that poet’s vision, so amply
fulfilled in the happy life at St. Benet’s.
Public-domain text, read in full here on John Shaqi.
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