It becomes yellower, scarcely giving any light, like a dying lamp.
Slowly, it begins to get larger, disproportionately larger; then it
becomes red, loses its shape, and is swallowed up, strange, terrifying.
And then what one sees has no longer a name: on the horizon is a great
dull fire, blood-red. It is too large to be the moon, and, besides,
distant things now mass in front of it in large dark shadows; colossal
towers, toppling mountains, palaces, Babels!
One feels as it were a veil of darkness weighing upon the senses. There
comes to you an impression of apocalyptic cities, of clouds heavy with
blood, of suspended maledictions; a conception of gigantic horrors, of
chaotic destructions, of the end of the world. . . .
For a moment the mind has slept, involuntarily; and a waking dream has
come and gone, very quickly.
Mirage! And now it is over and the moon has set. There was nothing
beyond save the infinite sea and floating mists announcing the approach
of dawn; now that the moon is no longer behind them, they are not even
discernible. All has vanished and the darkness has returned, the real
darkness of night, clear and calm as ever.
They are far away from us, those countries of the Apocalypse: for we are
in the Coral Sea, on the other side of the world, and there is nothing
here but the immense circle, the limitless mirror of the waters. . . .
A signalman has gone to see the time by the chronometer. Out of
deference to the moon, he is going to note in the large register, always
open, which is the ship's log, the precise moment at which it set.
Then he comes to me and says:
"Captain, it is time to call the watch." My four hours of the night
watch are already finished, then, and the officer to relieve me will
shortly make his appearance.
I give the order:
"Master-gunners and loaders, call the watch!"[5]
Then, some of those who were sleeping on the deck, like white mummies,
get up and awaken some of the others; they move off in a group and go
below. And then, from the spar-deck, comes the sound of twenty voices,
singing one after the other--in the manner of glee-singing--a very
ancient air, at once joyous and mocking.
They sing:
"Have you heard, you larboard men, get up for the watch, get up, get up,
get up! . . . Have you heard, you larboard men, get up for the watch,
get up, get up, get up! . . ."
They move hither and thither, stooping under the suspended hammocks,
and, as they pass, shake the sleepers with thrusts of their powerful
shoulders.
And presently, inexorable, I give the order:
"Fall in on deck, the larboard watch!"
And they come up half-naked; there are some who yawn, others who stretch
themselves, who stumble. They line up in groups, while a man, with a
lantern, peers into their faces and counts them. The others who were
sleeping on deck go below and sleep in their place.
Public-domain text, read in full here on John Shaqi.
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