A Terrible Temptation: A Story of To-DayReade, Charles
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A Terrible Temptation: A Story of To-Day
Reade, Charles
England -- Fiction
Lady Bassett took out her card and wrote a line or two on the back of
it. The maid glanced at it, and showed her into a room, while she took
the card to her master.
The room was rather long, low, and nondescript; scarlet flock paper;
curtains and sofas green Utrecht velvet; woodwork and pillars white and
gold; two windows looking on the street; at the other end folding-doors
with scarcely any wood-work, all plate-glass, but partly hidden by
heavy curtains of the same color and material as the others. Accustomed
to large, lofty rooms, Lady Bassett felt herself in a long box here;
but the colors pleased her. She said to Mary Wells, “What a funny, cozy
little place for a gentleman to live in!”
Mr. Rolfe was engaged with some one, and she was kept waiting; this was
quite new to her, and discouraged her, already intimidated by the
novelty of the situation.
She tried to encourage herself by saying it was for her husband she did
this unusual thing; but she felt very miserable and inclined to cry.
At last a bell rang; the maid came in and invited Lady Bassett to
follow her. She opened the glass folding-doors, and took them into a
small conservatory, walled like a grotto, with ferns sprouting out of
rocky fissures, and spars sparkling, water dripping. Then she opened
two more glass folding-doors, and ushered them into an empty room, the
like of which Lady Bassett had never seen; it was large in itself, and
multiplied tenfold by great mirrors from floor to ceiling, with no
frames but a narrow oak beading; opposite her, on entering, was a
bay-window all plate-glass, the central panes of which opened, like
doors, upon a pretty little garden that glowed with color, and was
backed by fine trees belonging to the nation; for this garden ran up to
the wall of Hyde Park.
The numerous and large mirrors all down to the ground laid hold of the
garden and the flowers, and by double and treble reflection filled the
room with delightful nooks of verdure and color.
To confuse the eye still more, a quantity of young India-rubber trees,
with glossy leaves, were placed before the large central mirror. The
carpet was a warm velvet-pile, the walls were distempered, a French
gray, not cold, but with a tint of mauve that gave a warm and cheering
bloom; this soothing color gave great effect to the one or two
masterpieces of painting that hung on the walls and to the gilt frames;
the furniture, oak and marqueterie highly polished; the curtains,
scarlet merino, through which the sun shone, and, being a London sun,
diffused a mild rosy tint favorable to female faces. Not a sound of
London could be heard.
Public-domain text, read in full here on John Shaqi.
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