Howard and his guest drove to Millikan's Draw, for the wound of the
latter was still too new to stand so long a horseback ride. They arrived
late, and the dance was already in full swing. As they stabled and fed
the team, they could hear the high notes of the fiddles and the singsong
chant of the caller.
“Alemane left. Right han' t'yer pardner, an' gran' right and left.
Ev-v-rybody swing.”
The ranch house was a large one, the most pretentious in the valley.
A large hall opened into a living room and a dining room, by means of
large double doors, which had been drawn back, so as to make one room of
them.
As they pushed their way through the crowd of rough young fellows who
clustered round the door, as if afraid their escape might be cut off,
Fraser observed that the floor was already crowded with dancers.
The quadrille came to an end as he arrived, and, after they had seated
their partners, red-faced perspiring young punchers swelled the knot
around the door.
Alec stayed to chaff with them, while the Texan sauntered across the
floor and took a seat on one of the benches which lined the walls. As he
did so, a man and his partner, so busy in talk with each other that they
had not observed who he was, sat down beside him in such position that
the young woman was next him. Without having looked directly at either
of them, Fraser knew that the girl was Arlie Dillon, and her escort Jed
Briscoe. She had her back half turned toward him, so that, even after
she was seated she did not recognize her neighbor.
Steve smiled pleasantly, and became absorbed in a rather noisy bout
of repartee going on between one swain and his lass, not so absorbed,
however, as not to notice that he and his unconscious neighbors were
becoming a covert focus of attention. He had already noticed a shade
of self-consciousness in the greeting of those whom he met, a hint of a
suggestion that he was on trial. Among some this feeling was evidently
more pronounced. He met more than one pair of eyes that gave back to his
genial nod cold hostility.
At such an affair as this, Jed Briscoe was always at his best. He was
one of the few men in the valley who knew how to waltz well, and music
and rhythm always brought out in him a gay charm women liked. His
lithe grace, his assurance, his ease of manner and speech, always
differentiated him from the other ranchmen.
No wonder rumor had coupled his name with that of Arlie as her future
husband. He knew how to make light love by implication, to skate around
the subject skilfully and boldly with innuendo and suggestion.
Public-domain text, read in full here on John Shaqi.
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